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  1. 5 days ago · James "Toofer" Spurlock (Keith Powell) is a proud African-American Harvard University alumnus, Harvard Krokodiloes alumnus, and TGS writer, who often disagrees with Tracy and Frank (although he and Frank often socialize with Lutz).

  2. Sep 25, 2024 · Though no longer publically available, this wonderful project with my good friend Keith Powell was a high-water mark of our collaborations together and launched roughly this week 16 years ago. We’d go on pitching a second series for a year or two after this series debuted.

  3. 6 days ago · Keith Powell (born 1979) is an American television actor, writer, director, and web series creator, who is known for his role as James "Toofer" Spurlock on 30 Rock, and for creating and starring in the web series Keith Broke His Leg, for which he won several Indie Series Awards in 2016.

  4. Sep 20, 2024 · As Keith Lakean Powell continues to make his mark in the film industry, one thing is clear: this is a filmmaker who isn’t afraid to dream big and work hard to turn those dreams into reality. Whether he’s in front of the camera or behind it, Powell’s passion for storytelling and commitment to nurturing new talent make him a ...

  5. Sep 12, 2024 · The inaugural fellow cohort includes Keith Powell, a postdoctoral fellow in the lab of Marko Loncar, the Tiantsai Lin Professor of Electrical Engineering at SEAS, and Santiago Canete, a joint postdoctoral fellow in the labs of Conor Walsh, Paul A. Maeder Professor of Engineering and Applied Sciences, and Patrick Slade, assistant ...

  6. Sep 9, 2024 · The inaugural fellow cohort includes Keith Powell, a postdoctoral fellow in the lab of Marko Loncar, the Tiantsai Lin Professor of Electrical Engineering at SEAS, and Santiago Canete, a joint postdoctoral fellow in the labs of Conor Walsh, Paul A. Maeder Professor of Engineering and Applied Sciences, and Patrick Slade, Assistant ...

  7. 1 day ago · Associate Director Sarah Rinaldi on Crafting her Segments for March Madness. 1-15 of 73. Director James Wan discusses how the structure of horror is interlinked with comedy and how he favors the buildup over the payoff when crafting an effective scare.