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Renée Vivien (born Pauline Mary Tarn; 11 June 1877 – 18 November 1909) was one of the first twentieth-century lesbian British poets. [1] [p.12] She wrote in French, in the style of the Symbolistes and the Parnassiens.
Renée Vivien, born Pauline Mary Tarn (11 June 1877 - 18 November 1909. Renee was a British poet who wrote in the French language. She took to heart all the mannerisms of Symbolism, as one of the last poets to claim allegiance to the school.
Renée Vivien was a French poet whose poetry encloses ardent passion within rigid verse forms. She was an exacting writer, known for her mastery of the sonnet and of the rarely found 11-syllable line (hendecasyllable).
Pauline Mary Tarn, alias Renée Vivien, est née le 11 juin 1877 à Londres et morte le 18 novembre 1909 dans le 16e arrondissement de Paris.
Renée Vivien, born Pauline Mary Tarn, was a British poet who wrote in the French language. She took to heart all the mannerisms of Symbolism, as one of the last poets to claim allegiance to the school. Her compositions include sonnets, hendecasyllabic verse, and prose poetry.
Jan 1, 2024 · In this paper, Nicole G. Albert presents a critical portrait of Anglo-French writer Renée Vivien (1877-1909), a major figure of the so-called feminine literature of the turn of the century.
Renée Vivien (born Pauline Mary Tarn; 11 June 1877 – 18 November 1909) was one of the first twentieth-century lesbian British poets. [p.12] She wrote in French, in the style of the Symbolistes and the Parnassiens.
Renée Vivien, born Pauline Mary Tarn (11 June 1877 - 18 November 1909) was a British poet who wrote in the French language. She took to heart all the mannerisms of Symbolism, as one of the last poets to claim allegiance to the school.
“More than a century after their publication, Renée Vivien’s short stories foreground issues that women continue to face: sexual violence, double standards, and social inequality.” —Gayle Levy, University of Missouri, Kansas City
Renée Vivien. Her decision to write under a French name is further evidence of the distance she sought from her fatherland, father's name and mother tongue. Her choice of a pen name that seems to signal her re-birth (renée) as a French writer, and as a powerful female figure (Vivien of the Lake), reflects both her
