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  1. 2 days ago · From 1939 to 1967 with the exception of 1957, there were also separate awards for color and black-and-white cinematography. After Who's Afraid of Virginia Woolf? (1966), the most recent black-and-white films to win since then are Schindler's List (1993), Roma (2018) and Mank (2020).

  2. Jun 27, 2024 · The Academy Award for Best Cinematography is awarded each year to a cinematographer for work on one particular motion picture. From 1939 to 1967, there were separate awards for color and for black-and-white cinematography. Since then, the only black-and-white film to win is Schindler's List (1993). Floyd Crosby won the award for Tabu ...

    • Meghann Matwichuk
    • 2013
  3. 2 days ago · At the 12th Academy Awards, Gone with the Wind received ten Academy Awards (eight competitive, two honorary) from thirteen nominations, including wins for Best Picture, Best Director (Fleming), Best Adapted Screenplay (posthumously awarded to Sidney Howard), Best Actress (Leigh), and Best Supporting Actress (Hattie McDaniel, becoming ...

  4. Jun 21, 2024 · Films with the most nominations: All About Eve ( 1950 ), Titanic ( 1997 ), and La La Land ( 2016) each earned 14 Academy Award nominations. Film with the highest clean sweep: The Lord of the Rings: The Return of the King ( 2003) won all 11 Academy Awards from its 11 nominations.

  5. 3 days ago · Academy Award, any of a number of awards presented annually by the Academy of Motion Picture Arts and Sciences to recognize achievement in the film industry. The awards were first presented in 1929, and winners receive a gold-plated statuette commonly called Oscar.

    • Academy Award for Cinematography 19391
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    • Academy Award for Cinematography 19395
  6. 4 days ago · Study with Quizlet and memorize flashcards containing terms like Best Cinematography - 1928/1929, Best Cinematography - 1929/1930, Best Cinematography - 1931 and more.

  7. Jun 10, 2024 · Ford received an Academy Award for his direction, and The Grapes of Wrath is widely regarded as one his best works. The film bears many of Ford’s hallmarks: the importance of family and community, a strong moral code, and an evocative use of landscape and cinematography.