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Frederick Elmes, ASC (born November 4, 1946) is an American cinematographer, known for his association with the independent film movement. He is a long-time collaborator of directors David Lynch, Ang Lee, Charlie Kaufman, Jim Jarmusch, and Todd Solondz.
Jun 13, 2024 · “What’s on the screen isn’t really David’s film. It’s a different edit. It’s a different version of the film, and that made me very sad”. — FREDERICK ELMES (Additional Unit Cinematographer) “What you don’t realize is there’s like seven hours on the cutting room floor […]
Cinematographer: Frederick Elmes. Frederick Elmes, ASC (born November 4, 1946) is an American cinematographer, known for his association with the independent film movement. He is a long-time collaborator of directors David Lynch, Ang Lee, Charlie Kaufman, Jim Jarmusch, and Todd Solondz.
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6 days ago · From the opening shots of blood red roses in front of a white picket fence below a blue sky to Isabella Rossellini’s deep blue eyeshadow and bright red lips as she sings “Blue Velvet” in front of the signature Lynchian red curtains, Frederick Elmes’s (Eraserhead; Wild at Heart) legendary cinematography gives the film a dreamy ...
Frederick Elmes, ASC (born November 4, 1946) is an American cinematographer, known for his association with the independent film movement. He is a long-time collaborator of directors David Lynch, Ang Lee, Charlie Kaufman, Jim Jarmusch, and Todd Solondz.
Jun 15, 2024 · The UHD image lets colorful scenes pop and preserves the relative darkness of Dorothy Vallens’ drab apartment. The UHD format keeps it and other murky scenes from turning into video mush. The Panavision framing is a standard 2:35, but Lynch and cameraman Frederick Elmes’ compositions make the screen feel even wider.
6 days ago · Criterion’s new 4K UHD release of Blue Velvet presents the film in its original 2.35:1 aspect ratio, based on the same 4K master that was used as the basis for their 2019 Blu-ray release. Created under the supervision of David Lynch, that master was beautiful, boasting organic-looking film grain and a rock steady image filled with fine detail.
