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  1. 3 days ago · Montgomery had started directing on 1945's They Were Expendable, substituting for John Ford when Ford was ill, and made his credited directorial debut in 1947 with Lady in the Lake. He had also produced for television before, but The Gallant Hours was the first feature film he both directed and produced.

  2. 4 days ago · The film's musical score is minimal, primarily Grant and Hepburn singing "I Can't Give You Anything But Love, Baby". There is incidental music in the Ritz scene, and an arrangement of "I Can't Give You Anything But Love, Baby" during the opening and closing credits by musical director Roy Webb.

  3. en.wikipedia.org › wiki › Emergency!Emergency! - Wikipedia

    3 days ago · Emergency! was a third-generation spin-off, having been spawned from Jack Webb's Adam-12, which itself was spun off from Jack Webb's Dragnet. All three series take place in the same universe and depict different aspects of the public safety infrastructure of Los Angeles, California.

  4. download-soundtracks.com › movie_soundtracks › best-fredBest FRED ZINNEMANN Movie Themes

    Jul 14, 2024 · 1. Roy Webb – Main & End Titles (The Seventh Cross, 1944) (2:09) 2. Bronislau Kaper – Main Title (Act of Violence, 1948) (2:49) 3. Dimitri Tiomkin – Suite (The Men, 1950) (5:34) 4. Tex Ritter – Do Not Forsake Me (High Noon, 1952) (2:25) 5. Dimitri Tiomkin, Morris Stoloff and his Orchestra – They’ve Pardoned Frank Miller (High Noon ...

  5. Jul 10, 2024 · Webb-site recommends shareholders to vote in favour of the increased offer, as founder David Webb has undertaken to do. Here's the background to our decision. (20-Jan-2022)

  6. Jul 17, 2024 · Browse Delaware local obituaries on Legacy.com. Find service information, send flowers, and leave memories and thoughts in the Guestbook for your loved one.

  7. Jul 10, 2024 · The Blu-Ray comes with a DTS-HD 2.0 Master Audio stereo track that holds up quite well for this period in film. Dialogue and background noises work harmoniously together along with the soaring score from Roy Webb. No sounds ever overpower the exchanges being spoken here.