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Alex North is a bestselling thriller writer who also publishes crime novels under a different name. Learn more about his books, upcoming events, articles and interviews on his website.
- The Shadow Friend / The Shadows
Alex North has crafted a second novel which is just as...
- The Half Burnt House / The Angel Maker
‘The Half Burnt House is Alex North at his best – a writer...
- The Whisper Man
Alex Michaelides, author of the #1 New York Times bestseller...
- The Shadow Friend / The Shadows
Alex North (born Isadore Soifer, December 4, 1910 – September 8, 1991) was an American composer best known for his many film scores, including A Streetcar Named Desire (one of the first jazz-based film scores), Viva Zapata!, Spartacus, Cleopatra, and Who's Afraid of Virginia Woolf?
- Music Division, Library of Congress
Alex North (1910-1991) was an American composer and conductor who worked in various genres, including jazz, classical and film music. He won an Oscar for his lifetime achievement and was nominated 15 times for his scores, such as Spartacus, A Streetcar Named Desire and Cleopatra.
- January 1, 1
- Chester, Pennsylvania, USA
- January 1, 1
- Los Angeles, California, USA
Jul 7, 2020 · A revisit to the charming site of North’s first (first as Alex North, anyway, 2019’s insanely scary The Whisper Man) scare-fest, Featherbank, features two teenage charmers who slash a friend to bits leaving red handprints all over the scene.
- (57.9K)
- Paperback
Alex North Books in Order. Alex North is the pseudonym of Steve Mosby, a British author who wrote his debut novel under his alias, The Whisper Man, published in 2019. Given the worldwide success of the author’s first book, new Alex North books are already eagerly awaited by a dedicated fanbase.
The 2001: A Space Odyssey score is an unused film score composed by Alex North for Stanley Kubrick 's 1968 film, 2001: A Space Odyssey.
Alex North (born Dec. 4, 1910, Chester, Pa., U.S.—died Sept. 8, 1991, Pacific Palisades, Calif.) was a U.S. film composer and conductor. North studied at the Curtis Institute and Juilliard. In the early 1930s he traveled to Moscow and became the sole American member of the Union of Soviet Composers.