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  1. Das wohltemperierte Klavier II, BWV 870-893 (Bach, Johann Sebastian) This page is only for complete editions and multiple selections from Das wohltemperierte Klavier II. For most arrangements, see the separate pages. for the individual preludes and fugues.

    • Jemsk1

      Jemsk1 - Das wohltemperierte Klavier II, BWV 870-893 (Bach,...

    • Henri Bertini

      Alternative Names/Transliterations: Henri Jérôme Bertini,...

    • Hermann Keller

      (20 November 1885 — 17 August 1967) ... (Bach, Johann...

    • Peter August

      6 Sonatas for Harpsichord and Violin, Op.2 (Naumann, Johann...

    • Hartwig Albrecht

      Das wohltemperierte Klavier II, BWV 870-893 (Bach, Johann...

    • James L. Bailey

      Violin Sonata No.2, Op.153 (Bertini, Henri) Violin Sonata...

  2. Some 20 years later, Bach compiled a second book of the same kind (24 pairs of preludes and fugues), which became known as The Well-Tempered Clavier, Part Two (in German: Zweyter Theil, modern spelling: Zweiter Teil).

  3. Apr 1, 2019 · Download “Bach - Well Tempered Clavier” public domain sheet music from the IMSLP Music Library: https://goo.gl/P5yH3J. Bach Preludes and Fugues 1-12 (WTC Bk.2) in overhead keyboard view...

    • 69 min
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    • Paul Barton
  4. Oct 21, 2021 · The Well-Tempered Clavier: Book 2 - Preludes And Fugues Nos. 17 To 24. by. Wanda Landowska; Johann Sebastian Bach. RCA Victor Red Seal (LM-1820) Publication date. 1954. Topics. Classical, Baroque. Contributor. Internet Archive. Language. English. Tracklist: 1. Prelude and Fugue No. 17 in A-Flat. 2. Prelude and Fugue No. 18 in G-Sharp Minor. 3.

  5. Johann Sebastian Bach: The Well-Tempered Clavier, Book 2, BWV 870–893, musical incipits and difficulty ratings.

  6. The Well-Tempered Clavier, BWV 846-893, collection of 48 preludes and fugues by Johann Sebastian Bach, published in two books (1722 and 1742). It explores the intricacies of each of the 12 major and 12 minor keys and constitutes the largest-scale and most-influential undertaking for solo keyboard of the Baroque era.

  7. The 2nd prelude, in C-Minor, is a dramatic, almost mechanical creation where tempo and articulation are the principal interpretive tools available to the artist. The piece has tempo indications from Bach, a rarity, in that bar 28 is marked presto, bar 34 adagio, and then allegro in bar 35.