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  1. Richard Brener is President & Chief Creative Officer of New Line Cinema. In this role, he oversees all aspects of development and production for New Line's film slate.

  2. Richard Brener was raised in Short Hills, NJ, and currently serves as President of Production for New Line Cinema. He was the executive producer of some of the company’s most successful comedic projects, including Sex in the City (2008, 2010), Wedding Crashers (2005), Austin Powers in Goldmember (2002), Hall Pass (2011), Horrible Bosses (2014 ...

  3. Richard Brener is President & Chief Creative Officer of New Line Cinema. In this role, he oversees all aspects of development and production for New Line's film slate.

  4. Jun 25, 2006 · Over at Chaya Brasserie, Richard Brener, a lanky 34-year-old development executive for New Line Cinema, was having his weekly lunch with his longtime friend Chris Bender, a writers'...

  5. Dec 14, 2016 · EXCLUSIVE: New Line Cinema veterans Richard Brener and Carolyn Blackwood will take over running New Line Cinema, sources say, after Toby Emmerich, who steered production at New Line from his...

  6. Sep 5, 2017 · The horror hot streak is well-timed for New Line’s new co-heads Blackwood and Richard Brener, who were elevated when Emmerich took a larger role overseeing Warner Bros. movies in January.

  7. Richard Brener is known as an Executive Producer, Actor, and Co-Executive Producer. Some of his work includes It, Shazam!, We're the Millers, It Chapter Two, San Andreas, The Conjuring 2, The Butterfly Effect, and Rampage.

  8. Richard Brener (born April 14, 1972) is a film producer and the president & CCO of New Line Cinema. He served as an executive producer on Shazam! and Black Adam .

  9. Feb 14, 2023 · Equal parts visual, immersive, and terrifying, the script grips you from the first page and never lets go,” said Richard Brener, President and Chief Creative Officer, New Line Cinema.

  10. Richard Brener, President and Chief Creative Officer, New Line Cinema, stated, “Zach proved with ‘Barbarian’ that he can create a visceral theatrical experience for audiences and that he commands every tool in the filmmaker toolbelt.