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  1. en.wikipedia.org › wiki › Lita_StanticLita Stantic - Wikipedia

    Élida Stantic (born 7 April 1942), more commonly known and credited as Lita Stantic, is an Argentine producer, screenwriter, and director. [1] Stantic is one of the most important producers working in the "New Argentine Cinema," responsible for the debut films of some of the most critically well regarded new Argentine filmmakers ...

  2. Lita Stantic (nacida como Élida Stantic; 7 de abril de 1942) es una directora, guionista y productora de cine argentina. Es una de las productoras más importantes del llamado nuevo cine argentino , y es responsable de la producción o distribución de las obras de algunos de los nuevos directores argentinos más destacados en el mundo, tales ...

  3. Producer Lita Stantic (b. 1942) played a crucial role in the nuevo cine argentino that surged to international prominence in the late 1990s and early 2000s by discovering and supporting young, emergent filmmakers- Lucrecia Martel, Pablo Trapero, Israel Adrián Caetano, Pablo Reyero, among them- who would together redefine Argentina as a newly vib...

  4. Jul 7, 2023 · With a career spanning over five decades and that includes credits as producer, writer and director, Lita Stantic has been a leading voice at every turn of Argentina’s film culture since the 1960s. While scholarship on Stantic abounds, her body of work has...

    • cburucua@uwo.ca
  5. www.imdb.com › name › nm0822711Lita Stantic - IMDb

    Lita Stantic was born in Argentina. She is known for Un muro de silencio (1993), Red Bear (2002) and Suddenly (2002).

    • Argentina
    • Lita Stantic
    • Producer, Writer, Director
  6. Aug 2, 2015 · A Wall of Silence (1993 ) , the debut of the famous film producer Lita Stantic , is an episode of collective biography of the generation of 68 in Argentina who lived optimism of the sixties and seventies brutal repression and now remakes his life in a democracy based on oblivion.

  7. Latinolife: Do you still believe in the transforming function of cinema?Lita Stantic: Yes, I believe in it. The cinema that I like is the one that, when I leave the theatre, it has left something in me. I don’t believe any longer so much in cinema's ability to change the world.