Search results
* Visual Effects - Rob Legato, Joss Williams, Ben Grossmann and Alex Henning Costume Design - Sandy Powell Directing - Martin Scorsese
* Visual Effects - Rob Legato, Joss Williams, Ben Grossmann and Alex Henning Costume Design - Sandy Powell Directing - Martin Scorsese
The Academy Award for Best Visual Effects is presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) for the best achievement in visual effects. It has been handed to four members of the team directly responsible for creating the film's visual effects since 1980.
Dec 3, 2023 · In this article, we’ll take you on a cinematic journey through the full list of Academy Award winners for Best VFX and highlight the top 10 films that have left an indelible mark on the history of cinema with their astonishing visual effects.
Mar 1, 2012 · Ben Stiller and Emma Stone present Rob Legato, Joss Williams, Ben Grossmann and Alex Henning with the Oscar for Visual Effects for Hugo at the 84th Academy Awards.
- 5 min
- 1.6M
- Oscars
A Musical Medley. Aaron Tveit, Anne Hathaway, Amanda Seyfried, Eddie Redmayne, Hugh Jackman, Samantha Barks, Sacha Baron Cohen and Russell Crowe perform a medley from Les Misérables as part of a salute to movie musicals of the past decade. Anne Hathaway. Supporting Actress winner for Les Misérables. Chris Terrio.
- We see you… And just like 13 years ago, Avatar: The Way of Water is the winner! Congratulations to Wētā FX and all the VFX creatives that brought a mesmerizing story to our screens.
- And the winner is... Dune! Congratulations to DNEG and all the VFX creatives involved in the retelling of this beloved sci-fi epic! Led by Production VFX Supervisor Paul Lambert, alongside VFX Supervisors Tristan Myles and Brian Connor, the VFX elements in Dune were meticulously designed to immerse audiences into the dystopian world based on Frank Herbert’s novel.
- Tenet. This sci-fi, action-adventure sees another Oscar win for Christopher Nolan and the fantastic DNEG VFX team. With six wins in the past ten years, the creatives at DNEG played an integral part in executing the film's complex time-traveling narrative.
- 1917. Creating the illusion that 1917 had been captured in one continuous shot proved no easy feat, but VFX supervisor Guillaume Rocheron and his team at Moving Picture Company rose to the challenge, digitally stitching together scores of invisible moments and creating entire digital environments from scratch to win over worthy contenders such as The Lion King and The Irishman.
