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Marcel Aymé (29 March 1902 – 14 October 1967) was a French novelist and playwright, [1] [2] who also wrote screenplays and works for children. Biography. Marcel André Aymé was born in Joigny, in the Burgundy region of France, the youngest of six children.
Marcel Aymé, né le 29 mars 1902 à Joigny et mort le 14 octobre 1967 chez lui, rue Norvins dans le 18e arrondissement de Paris, est un écrivain, dramaturge, nouvelliste, scénariste et essayiste français. Écrivain prolifique, il est l'auteur de deux essais, 17 romans, plusieurs dizaines de nouvelles, une dizaine de pièces de théâtre, plus de 160 a...
Marcel Aymé was a French novelist, essayist, and playwright, known as a master of light irony and storytelling. He grew up in the country among farmers, in a world of close-knit families bounded by the barnyard on one side, the schoolhouse on the other.
- The Editors of Encyclopaedia Britannica
Marcel Aymé, (born March 29, 1902, Joigny, Fr.—died Oct. 14, 1967, Paris), French novelist, essayist, and playwright. His novels include The Hollow Field (1929), The Fable and the Flesh (1943), and The Transient Hour (1946).
May 1, 2017 · Marcel Aymé est un écrivain, dramaturge, nouvelliste, scénariste et essayiste français. Marcel Aymé était le dernier d’une famille de six enfants. Ayant perdu sa mère à deux ans, il fut élevé jusqu’à huit ans par ses grands-parents maternels qui possédaient une ferme et une tuilerie à Villers-Robert, une région de forêts, d’étangs et de prés.
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Marcel Aymé was a French novelist, children's writer, humour writer, screenwriter and theatre playwright. His writings include The Man Who Walked Through Walls (Le Passe-Muraille), one of his most famous short stories for which there is a monument in the Montmartre Quarter of Paris.
Overview. Marcel Aymé. (1902—1967) Quick Reference. (b. Joigny, France, 28 March 1902; d. Paris, 14 Oct. 1967) Playwright, novelist and short-story writer. Aymé's plays are mainly satires, attacking the corruption and hypocrisy of the contemporary political ... From: Aymé, Marcel in The Continuum Companion to Twentieth Century Theatre »
