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Laurence T. Fessenden (born March 23, 1963) is an American actor, producer, writer, director, film editor, and cinematographer. He is the founder of the New York based independent production outfit Glass Eye Pix.
Larry Fessenden was born on 23 March 1963 in New York City, New York, USA. He is an actor and producer, known for Habit (1995), Wendigo (2001) and The House of the Devil (2009).
Reviewing a boxset of writer-director Larry Fessenden’s work in 2015 for Filmmaker, I began by noting that “Fessenden can frequently be found on the outskirts of the New York filmmaking community, using his production company Glass Eye Pix as an outlet of support for fellow filmmakers.”
Oct 26, 2015 · Larry Fessenden Is the Greatest Horror Film Director You’ve Never Heard Of. We spoke to Fessenden about how being remembered is sometimes better than being paid. AN. by Adam Nayman. October 26,...
Larry Fessenden was born on 23 March 1963 in New York City, New York, USA. He is an actor and producer, known for Habit (1995), Wendigo (2001) and The House of the Devil (2009).
Feb 16, 2016 · Indie horror icon Larry Fessenden is an American original. As a filmmaker, Fessenden's movies often concern American exceptionalism, and a general sense of foreboding about our culture's unexamined prejudices.
Apr 12, 2024 · If you’re a fan of indie horror, chances are you’re well familiar with the work of Larry Fessenden —both as a director (Habit, The Last Winter, Beneath) and an actor (Session 9, You’re Next,...
Jan 25, 2018 · Larry Fessenden is an underrated revolutionary of modern American independent cinema. As a producer, actor, editor, cinematographer, and distributor, Fessenden has influenced the careers of Kelly Reichardt, Joe Swanberg, Adam Wingard, Jim Mickle, Ti West, and many others, who’ve created films that’ve altered the landscape of indie and even ...
Mar 30, 2022 · A preview of MoMA's retrospective on Larry Fessenden and his Glass Eye Pix movie studio.
Larry Fessenden. The Last Winter. 2006. Licensing. Feedback. American, born 1963.
