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  1. After graduating from Kyoto University in 1954, where he studied political history, Ōshima was hired by film production company Shochiku Ltd. and quickly progressed to directing his own movies, making his debut feature A Town of Love and Hope in 1959.

  2. Nagisa Ôshima. Director: Merry Christmas Mr. Lawrence. Nagisa Oshima's career extends from the initiation of the "Nuberu bagu" (New Wave) movement in Japanese cinema in the late 1950s and early 1960s, to the contemporary use of cinema and television to express paradoxes in modern society.

    • January 1, 1
    • Tamano, Japan
    • January 1, 1
    • Fujisawa, Japan
  3. Apr 22, 2004 · Japanese leftists, fearing a return to authoritarianism and militarism, stepped up their demands for greater freedom. At the time of the security pact signing, Oshima was an officer in Kyoto University’s left-wing student association, and led the student body in a series of protests.

  4. Apr 11, 2023 · The striking Cruel Story of Youth (1960) and Night and Fog in Japan (1960), both produced at Shochiku Studio in his youth. Death by Hanging (1968), Boy (1969), The Ceremony (1971), and other controversial works produced under his own production company Sozosha.

  5. Often called the Godard of the East, Japanese director Nagisa Oshima was one of the most provocative film artists of the twentieth century, and his works challenged and shocked the cinematic world for decades. Following his rise to prominence at Shochiku, Oshima struck out to form his own production company, Sozo-sha, in the early sixties.

  6. Apr 30, 2009 · The following article, based on an interview with Nagisa Oshima conducted by Katsue Tomiyama in April 1983, first appeared, in slightly longer form, in the Japanese magazine Image Forum. Tomiyama is a film producer and cofounder of Image Forum, and she played one of the inn’s young maids in In the Realm of the Senses.

  7. Aug 28, 2018 · Nagisa Oshima (大島渚/Ōshima Nagisa, b. 1932–d. 2013) is a paradox: one of the most iconic filmmakers in Japanese film history, but one whose body of work is among the most iconoclastic. Oshima was a wayward product of Japan’s postwar studio system.