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  1. Peter Camenzind, published in 1904, was the first novel by Hermann Hesse. It contains a number of themes that were to preoccupy the author in many of his later works, most notably the individual's search for a unique spiritual and physical identity amidst the backdrops of nature and modern civilization, and the role of art in the ...

  2. Peter Camenzind, a young man from a Swiss mountain village, leaves his home and eagerly takes to the road in search of new experience. Traveling through Italy and France, Camenzind is increasingly disillusioned by the suffering he discovers around him; after failed romances and a tragic friendship, his idealism fades into crushing hopelessness.

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  3. Peter Camenzind ist der Titel des ersten Romans von Hermann Hesse. Der Bildungsroman mit autobiographischen Bezügen über einen Bauernjungen, der in die Stadt zieht und Dichter werden will, erschien 1903 als Vorabdruck in der Neuen Rundschau und 1904 in Buchform im S. Fischer Verlag und machte den Autor bekannt.

  4. Mar 11, 2018 · Peter Camenzind is a short novel written in a most lyrical and poetic manner. It is the unfolding tale of Peter`s journey to what truly matters in his (and our) all too short trek through time.

  5. Jan 22, 2016 · Peter Camenzind (1904) Gunther Gottschalk1 Peter is a farmer’s son. He is part of nature. His teachers are the sun, the lake, the trees,2 the rocks. Trees, for example, live out the secret of their seed and are not concerned about anything else despite the odds of the environment. Peter wants to follow their example: he

  6. Peter Camenzind,“ sprach mein Griechischlehrer, „du bist ein Trotzkopf und Einspänner und wirst dir noch einmal den harten Schädel einrennen.“ Ich betrachtete den feisten Brillenträger, hörte seine Rede an und fand ihn komisch.

  7. Peter Camenzind. novel by Hesse. Learn about this topic in these articles: discussed in biography. In Hermann Hesse. …brought out his first novel, Peter Camenzind, about a failed and dissipated writer. The novel was a success, and Hesse returned to the theme of an artist’s inward and outward search in Gertrud (1910) and Rosshalde (1914).