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  1. Postmodernist film is a classification for works that articulate the themes and ideas of postmodernism through the medium of cinema. Some of the goals of postmodernist film are to subvert the mainstream conventions of narrative structure and characterization, and to test the audience's suspension of disbelief.

  2. Sep 13, 2020 · Postmodernism is a philosophical movement that impacted the arts and critical thinking throughout the latter half of the 20th century. Works in Postmodernism tend to have an attitude of rejection or irony toward typically-accepted narratives.

  3. Illustrated below are 30 films that are a foundation of this movement in cinema. Postmodernism is an art form that was initially studied only in retrospect. These films intentionally or unintentionally challenge conventional form and are all worth watching if postmodernism as a theory excites you.

  4. Taxi Driver (1976) Written by Paul Schrader and Directed by Martin Scorsese. Travis Brickle, the protagonist of Taxi Driver, is driven by this extreme urge to cleanse the society. He feels alienated by the urban America. The film in some ways tries to show the downfall of the post modernism.

  5. 20 titles. Sort by List order. 1. Monty Python and the Holy Grail. 1975 1h 31m PG. 8.2 (573K) Rate. 91 Metascore. King Arthur and his Knights of the Round Table embark on a surreal, low-budget search for the Holy Grail, encountering many, very silly obstacles. Director Terry Gilliam Terry Jones Stars Graham Chapman John Cleese Eric Idle. 2.

  6. Jul 28, 2023 · Postmodernism in film is an art movement that started after WWII. Postmodern films rejected typical narrative structures and challenged mainstream conventions. This movement is found in all art forms, including writing, painting, and music. The goal is to create work that does not follow traditional values.

  7. Mar 11, 2024 · Postmodernism, when applied to films, refers to an approach that often rejects traditional narrative structures and grand theories or ideologies. Instead, it favours a more playful, fragmented, and subjective form of storytelling.