Search results
Andrew Buckland is an American film editor. He won an Academy Award in the category Best Film Editing for the film Ford v Ferrari (2019). Selected filmography. The Girl on the Train (2016; co-edited with Michael McCusker) Ford v Ferrari (2019; co-won the Academy Award for Best Film Editing with McCusker)
Andrew Buckland. Editor: Indiana Jones and the Dial of Destiny. Andrew Buckland is known for Indiana Jones and the Dial of Destiny (2023), Ford v Ferrari (2019) and The Girl on the Train (2016).
- Editorial Department, Editor, Additional Crew
- Andrew Buckland
Dec 13, 2019 · Editors Michael McCusker and Andrew Buckland on bringing a racing thrill to James Mangold's "Ford v Ferrari" and creating action in editing.
Feb 9, 2020 · 'Ford v Ferrari's' Andrew Buckland and Michael McCusker won Oscars in film editing at the 92nd Academy Awards.
Feb 11, 2020 · Academy Award for Best Film Editing 2020 - Andrew Buckland, Michael McCuskerFORD V FERRARI#Oscar2020#BestFilmEditing #FORDVFERRARI#Andrew Buckland, Michael M...
- 3 min
- 5.1K
- ICONIC CINEMA
- Filmsupply: How Did The Two of You Work Together on This Film?
- How Did You Surprise him?
- Once You Get to The Spectacle, though, How Did You Deliver on It?
- Why Not?
- How Did You Make These Racing Scenes Feel So visceral?
Michael McCusker: There wasn’t a hard set of rules, like, “Here’s your reel and here’s my reel.” We don’t alternate scenes and Jim [Director James Mangold] doesn’t want to work in that way. There are little scenes and there are really big scenes. Sometimes you get engrossed in a scene and it’s helpful to have someone else working in the room. In th...
Andrew: Well, we weren’t exactly butting heads on the Willow Springs scene, but we were really wanting to find a different direction. Mike: Yeah, that’s the very first race. We knew we needed a way to make it seem more expansive and communicate more than our first iteration. While Jim was still shooting, he was happy with what he saw, but when it w...
Mike: The three races in Ford v Ferrari were shot in all different types of strategies. Willow Springs was shot in a more traditional way. We simply boarded it out, they shot it, and we had to figure out how to put it together. Daytona was partially previs-ed in a general sense, but again, they went out and followed some of it, but then they made s...
Mike: We wanted to be right next to the character, next to his face, and experiencing the stuff he’s seeing. Even in the action moments, they’re always happening right next to the character. The scope is being communicated through a point of view. It’s a lot of work, a lot of design, and going out there and executing the shots, and we got some grea...
Mike: I think it’s about what we did with the character, not losing the through-line and the spines of the characters. For the racing, it was really cool, but we didn’t go for the wild-ass shots. Our audience knows what it’s like to be in a car, and I think that’s why racing works so well because it’s not gimmicky. It feels real to people. Part of ...
Andrew Buckland was born on 4 February 1954 in South Africa. He is an actor and writer, known for Jane and the Lost City (1987), The Fragile King (2022) and Legacy (2020). He is married to Janet Buckland.
