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A.C.T.’s Conservatory training programs prepare actors of all ages and experience levels to explore their craft and grow as artists.
- What's On
What's On - Homepage | American Conservatory Theater
- Education & Community Programs
Education & Community Programs - Homepage | American...
- MFA Program
Applications are currently not being accepted for American...
- Contact Us
Toni Rembe Theater Box Office. 415 Geary Street San...
- Corporate Support
All benefits listed above including: Four (4) Complimentary...
- The Toni Rembe Theater
To reserve your parking spot, visit the American...
- Gift Certificates
Gift Certificates - Homepage | American Conservatory Theater
- Join The A.C.T. Team
Needless to say, we are committed to an ongoing engagement...
- What's On
A.C.T. values inclusion, transformational learning, participation and rigorous fun. A.C.T. is a Tony Award-winning nonprofit theater serving almost 200,000 people in the San Francisco Bay Area annually through theater, training, education and community programs.
Mar 22, 2024 · American Conservatory Theater has announced the lineup of productions that will make up the company's 2024/25 season—a reimagined production of Noël Coward's uproarious classic comedy,...
American Conservatory Theater, San Francisco, California. 28,680 likes · 46,590 were here. A Tony Award-winning theater and training institute in San Francisco.
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Dec 8, 2021 · American Conservatory Theater (A.C.T.) Executive Director Jennifer Bielstein and Artistic Director Pam MacKinnon announced the appointment of seven members to their Board of Trustees—Schatzie...
Aug 2, 2022 · American Conservatory Theater (A.C.T.) will kick off its 2022/23 season with the acclaimed production, Passengers, from the world-renowned contemporary circus arts collective, The 7 Fingers.
A.C.T.’s Conservatory training programs prepare actors of all ages and experience levels to explore their craft and grow as artists. Young Conservatory Internationally recognized professional theater training program for students in grades 3–12.
