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  1. In Praise of Love (French: Éloge de l'amour) is a 2001 French film written and directed by Jean-Luc Godard. The black-and-white and color drama was shot by Julien Hirsch and Christophe Pollock. [1] Godard has famously stated that "a film should have a beginning, a middle and an end, but not necessarily in that order."

  2. Page 1 of 6, 11 total items. An author is working on a project about love told through three couples -- one young, one mature, one elderly. The author is working with a woman he met three years...

    • (73)
    • Jean-Luc Godard
    • PG
    • Bruno Putzulu
    • In Praise of Love (film)1
    • In Praise of Love (film)2
    • In Praise of Love (film)3
    • In Praise of Love (film)4
    • In Praise of Love (film)5
  3. In Praise of Love is a masterclass in juxtaposition and abstraction - a film where Godard frames the sombre, velvety black-and-white shadows of the present-day, along with the thick supersaturated tones of an extended flashback - to tell a love story, as well as the story of love itself.

    • (3.2K)
    • Avventura Films
    • Jean-Luc Godard
  4. Oct 18, 2002 · In Praise of Love. Roger Ebert October 18, 2002. Tweet. Now streaming on: Powered by JustWatch. What strange confusion besets Jean-Luc Godard? He stumbles through the wreckage of this film like a baffled Lear, seeking to exercise power that is no longer his.

  5. Visit the movie page for 'In Praise of Love' on Moviefone. Discover the movie's synopsis, cast details and release date. Watch trailers, exclusive interviews, and movie review.

    • (34)
    • Bruno Putzulu
    • Jean-Luc Godard
    • Avventura Films
  6. Oct 16, 2001 · Someone we hear talking - but whom we do not see - speaks of a project which describes the four key moments of love: meeting, physical passion, arguments/separation and making up. This project is to be told through three couples: young, adult and old.

  7. Jean-Luc Godard is back in his most complex films, In Praise of Love, an exuberant satire of the media's affect on the cold real world. The film's sharp insights come from its self-containment, constantly posing questions as to the methods behind its filmic madness.