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  1. Susana (Susana, demonio y carne or The Devil and the Flesh) is a 1951 film directed by Luis Buñuel. It is the story of a girl of questionable mental stability who escapes from incarceration and ends up at a plantation where she disrupts a working family's daily routines and chemistry.

  2. www.imdb.com › title › tt0043018Susana (1951) - IMDb

    Susana: Directed by Luis Buñuel. With Fernando Soler, Rosita Quintana, Víctor Manuel Mendoza, María Gentil Arcos. An unstable young woman escapes from a reformatory for very, very wayward girls and deceptively finds shelter in the kind home of a frighteningly nice and decent family.

    • (2.3K)
    • Drama
    • Luis Buñuel
    • 1953
  3. Susana, a steamy melodrama, marked an early highlight of Luis Buñuel’s early career in Mexico.Get your copy on October 28, 2019: https://www.facetsdvd.com/Su...

    • 2 min
    • 3.8K
    • FACETS
  4. en.wikipedia.org › wiki › SuzzannaSuzzanna - Wikipedia

    Suzzanna Martha Frederika van Osch (13 October 1942 – 15 October 2008) was an Indonesian actress. Known as the "Queen of Indonesian horror ", she is well-known in particular in Indonesia for portraying spirits, witches, and other supernatural beings.

  5. In Susana, the titular gorgeous seductress (magnificently played by Argentine star of Mexican cinema, Rosita Quintana) starts the film as a violently disobedient resident of a reformatory. Soon, though — with the help of God, whose…

    • (2.2K)
    • Internacional Cinematográfica
    • Luis Buñuel
  6. 10 Film Suzanna Terbaik Sepanjang Masa. 1. Beranak Dalam Kubur – 1972. Tahun Rilis: 1972. Genre: Horror. Sutradara: Awaludin, Ali Shahab. Pemeran: Suzanna, Mieke Widjaja, Dicky Suprapto, Ami Prijono. Perusahaan Produksi: P. F. N., Penas. Film Suzanna terbaik yang pertama adalah Beranak Dalam Kubur yang rilis pada tahun 1972.

  7. May 10, 2002 · Mexican ambassadors and nationalists called Los Olvidados a crime against the state and while Luis Buñuel’s friend Georges Sadoul found the director’s depiction of police and state officials “too bourgeois,” surrealists and intellectuals alike had nothing but praise for the film.