Baron Jérôme Napoléon Antoine
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Le baron de l'écluse, titled in English The Baron of the Locks, is a 1960 French drama film directed by Jean Delannoy. Based on a novel of the same name by Georges Simenon, the screenplay is by Maurice Druon with dialogue by Michel Audiard.
The Baron Character Analysis. Next. Thalestris. The antagonist of the poem. Based on the historical Lord Petre, the Baron snips of Belinda ’s lock on account of his infatuation with her remarkable beauty and refuses to give it back.
- Belinda
- The Baron
- Caryl
- Umbriel
- Clarissa
- Thalestris
- Sir Plume
Belinda is based on the historical Arabella Fermor, a member of Pope’s circle of prominent Roman Catholics. Robert, Lord Petre (the Baron in the poem) had precipitated a rift between their two families by snipping off a lock of her hair. Read about another story with characters based on real people to make political statements in Shakespeare’s Juli...
This is the pseudonym for the historical Robert, Lord Petre, the young gentleman in Pope’s social circle who offended Arabella Fermor and her family by cutting off a lock of her hair. In the poem’s version of events, Arabella is known as Belinda.
The historical basis for the Caryl character is John Caryll, a friend of Pope and of the two families that had become estranged over the incident the poem relates. It was Caryll who suggested that Pope encourage a reconciliation by writing a humorous poem.
The chief gnome, who travels to the Cave of Spleen and returns with bundles of sighs and tears to aggravate Belinda’s vexation
A woman in attendance at the Hampton Court party. She lends the Baron the pair of scissors with which he cuts Belinda’s hair, and later delivers a moralizing lecture.
Belinda’s friend, named for the Queen of the Amazons and representing the historical Gertrude Morley, a friend of Pope’s and the wife of Sir George Browne (rendered as her “beau,” Sir Plume, in the poem). She eggs Belinda on in her anger and demands that the lock be returned.
Thalestris’s “beau,” who makes an ineffectual challenge to the Baron. He represents the historical Sir George Browne, a member of Pope’s social circle.
“The Rape of the Lock,” originally published as The Rape of the Locke: An Heroi-Comical Poem (1712), is a mock-epic based upon an actual disagreement between two aristocratic English families during the eighteenth century. Lord Petre (the Baron in the poem) surprises the beautiful Arabella Fermor (Belinda) by clipping off a lock of hair.
In the Rape of the Lock, Pope uses Belinda and the Baron to mock two of his acquaintances, Arabella Fermor, and Lord Petre. The poem follows the events of the night, leading up to Belinda’s “horrific” loss.
Belinda rushes at the Baron and blows snuff into his nose, with the help of the gnomes, fulfilling his earlier comment that the lock could only be taken from him if air stopped filling his nostrils. She then draws out a bodkin, threatening him with it.
Jul 9, 2020 · With Pope’s The Rape of the Lock the motivation remains clear, explained by Pope himself. The mock-epic developed in reaction to a real social event that estranged two previously cordial families and a friend’s request that Pope take a part in defusing the anger that led to that estrangement.
