&ck=21EA5A9094814F2FD7694CD1DCE936F3&idpp=rc&idpview=singleimage&form=rc2idp "Pole (musician)1")
&ck=E417FA13198DA236D0CD47CC0C0CBA38&idpp=rc&idpview=singleimage&form=rc2idp "Pole (musician)2")
&ck=27A19C007DE4AC05A08D8C25B6DB435A&idpp=rc&idpview=singleimage&form=rc2idp "Pole (musician)3")
&ck=2981561F2766E1370DAACA8E8B77E7AF&idpp=rc&idpview=singleimage&form=rc2idp "Pole (musician)4")
&ck=9774A31CDEE28255856AA6F1061843DA&idpp=rc&idpview=singleimage&form=rc2idp "Pole (musician)5")
2012
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Pole is the artistic name of Stefan Betke (born 18 February 1967), a German electronic music artist commonly associated with the glitch genre as well as dubtronica. [1] History. Born in Düsseldorf, Pole took his name from a Waldorf 4-Pole filter, [1] which he accidentally dropped and broke in 1996.
pole´s music is available on bandcamp now. The first available releases are the album “wald” and the 7 inch “Lurch” (version) with a remix by Peder Mannerfelt. pole is going to release his complete back catalogue step by step, accompanied by single compilation tracks and remixes.
In 2020 the Düsseldorf-native musician, producer, remixer and mastering engineer Stefan Betke looks back on a steady 22-year career in abstract electronic club music. In particular, the seven albums that he released during this period under the Pole moniker have lastingly shifted the coordinates of electronica.
In 2020 the Düsseldorf-native musician, producer, remixer and mastering engineer Stefan Betke aka pole looks back on a steady 22-year career in abstract electronic club music.
Nov 21, 2022 · Always seeking to expand his musical language, Betke’s idiosyncratic sound explores concepts of past, present and future within the pace, tone and echo of his favoured dub music aesthetic – a journey that’s continued to evolve across a further four albums: Pole, Steingarten, Wald and Fading. Betke’s latest offering, Tempus ...
Nov 18, 2022 · Pole: Tempus. $45 at Rough Trade. On his latest project, the German electronic musician blends piano, percussion, and dying equipment into his moody ambient-dub.
Direct and subtle, unforced and forceful, with or without its vocal support: “Pole” is the most transparent of Betke’s recordings to date – no clicks, no scratches, no scrapes, no nothing dilute the strict clarity of his new output.
