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Roger Eliot Fry (14 December 1866 – 9 September 1934) was an English painter and critic, and a member of the Bloomsbury Group. Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developments in French painting, to which he gave the name Post-Impressionism.
Roger Fry (born December 14, 1866, London, England—died September 9, 1934, London) was an English art critic and artist, best known as the champion of the movement he termed Post-Impressionism. Fry was born into a Quaker family and was educated at the University of Cambridge for a career in science.
Roger Fry was Britain's most influential art critic during the first half of the twentieth century. He was, in point of fact, something of a polymath, showing a vast cultural range and an upper level of attainment as a painter, designer, broadcaster and curator.
Roger Eliot Fry (14 December 1866 – 9 September 1934) was an English painter and critic, and a member of the Bloomsbury Group. Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developments in French painting, to which he gave the name Post-Impressionism. He was the first figure to raise public ...
Roger Eliot Fry (14 December 1866 – 9 September 1934) was an English painter and critic, and a member of the Bloomsbury Group. Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developments in French painting, to which he gave the name Post-Impressionism .
Jan 19, 2023 · Roger Fry: Artist & Critic Extraordinaire. Hailed as the father of modern British art for his efforts in promoting post-Impressionism in the UK, Roger Fry enjoyed an illustrious career as an artist and art critic. Jan 19, 2023 • By Catherine Dent, MA 20th and 21st Century Literary Studies, BA English Literature.
Roger Eliot Fry (14 December 1866 – 9 September 1934) was an English painter and critic, and a member of the Bloomsbury Group. Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developments in French painting, to which he gave the name Post-Impressionism.
