2005
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Jia Zhangke (Chinese: 贾樟柯; pinyin: Jiǎ Zhāngkē, born 24 May 1970) is a Chinese film and television director, screenwriter, producer, actor and writer.
Producer: Ash Is Purest White. Jia Zhang-ke was born on 24 May 1970 in Fenyang, Shanxi, China. He is a producer and director, known for Ash Is Purest White (2018), A Touch of Sin (2013) and Mountains May Depart (2015).
贾樟柯（Jia Zhangke），1970年5月24日出生于山西省吕梁市汾阳市，华语影视导演、编剧、制片人、演员、作家，中国电影导演协会会长，平遥国际电影展创始人，中国作家协会会员，中央美术学院教授，毕业于北京电影学院文学系。
May 18, 2024 · Across his 25-year career, Jia Zhangke has become the de facto face of independent-minded Chinese cinema — and the Cannes Film Festival has arguably been the most important...
Oct 5, 2024 · Jia Zhangke, China’s quintessential indie director, says that the COVID-era lockdowns gave him a chance to rethink and review the miles of footage that he has shot over more than 20 years...
Oct 7, 2024 · Caught by the Tides, Jia Zhangke’s first fiction feature in six years, is among the 54-year-old Chinese director’s most radical and comprehensively conceived works to date.
Jia Zhangke (Chinese: 贾樟柯; pinyin: Jiǎ Zhāngkē, born 24 May 1970; Fenyang) is a Chinese film and television director, screenwriter, producer, actor and writer. He is the dean of the Shanxi Film Academy of Shanxi Media College and the dean of the Vancouver Film School of Shanghai University.
Oct 5, 2015 · The director’s exploration of peripheral spaces, particularly those of his home province of Shanxi, is the subject of Walter Salles’s documentary portrait Jia Zhangke, a Guy from Fenyang (2015).
Jia Zhangke explores the contested city of Shanghai, as witnessed through citizens, politicians, criminals, exiles, artists, and especially filmmakers. Both a historian’s and a cinephile’s dream, I Wish I Knew is as much about Shanghai in cinema as it is about Shanghai. View Details. SOLD OUT.
No filmmaker has captured the head-spinning transformation of China’s post-socialist period as aptly as Jia Zhangke. Born amid the reforms of the 1970s, Jia came to prominence as part of the loose band of “Sixth Generation” directors, who eschewed the lush, state-sanctioned films of their predecessors in favor of a documentary aesthetic ...
