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  1. Robert Woodrow Wilson was born on January 10, 1936, in Houston, Texas. He graduated from Lamar High School in River Oaks, in Houston, [5] and studied as an undergraduate at Rice University, also in Houston, where he was inducted into the Phi Beta Kappa society. He then earned a PhD in physics at California Institute of Technology.

  2. Sep 14, 2021 · Theatre director Robert Wilson helped transform the way opera is seen around the world, but as he turns 80, it is still Europe that comes calling, while he remains largely ignored back home in the US.

  3. Robert Wilson is the Adams Distinguished Professor of Management, Emeritus, at the Stanford Business School, where he has been on the faculty since 1964. His research and teaching are on market design, pricing, negotiation, and related topics concerning industrial organization and information economics. He is an expert on game theory and its ...

  4. A selection of Robert Wilson's most influential and renowned theatrical productions. KA MOUNTAIN AND GUARDenia TERRACE. Deafman Glance. A Letter for Queen Victoria. Einstein on the Beach. Death, Destruction & Detroit. Hamletmachine. The Black Rider. Madama Butterfly.

  5. Robert Wilson is an economist’s economist, even though he never set out to explicitly enter the field. He studied math, philosophy, and went to business school. He was in his forties when he decided to take a sabbatical year to spend in the economics department, which ultimately became a full time occupation within the field.

  6. Robert Wilson (born October 4, 1941) is an American experimental theater stage director and playwright who has been described by The New York Times as "[America]'s – or even the world's – foremost vanguard 'theater artist.'" He has also worked as a choreographer, performer, painter, sculptor, video artist, and sound and lighting designer.

  7. ROBERT WILSON: IT’S ABOUT TIME. WHEN ROBERT WILSON’S WORK first appeared internationally it was generally seen from a single and limited viewpoint—as a return to the image. Wilson was understood as a proponent of two-dimensional theater, of theater to be looked at only. This was because he came into the public eye at the beginning of the ...