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Jul 15, 2023 · Kael was an early fan of director Brian De Palma, one of the many filmmakers she helped popularize with her reviews.His Hitchcockian use of suspense, sex, and violence appealed to her, but she ...
Mar 17, 2010 · In the late sixties, Pauline Kael’s exhilarating review of “Bonnie and Clyde” burst upon the scene, announcing a revolution in cinematic taste. Arthur Penn’s 1967 film, ...
Jun 7, 2019 · It was Pauline Kael, for fuck’s sake. For many movie lovers in the late ’60s, ’70s, and ’80s, Kael was the most exciting critic ...
Pauline Kael ( 19. kesäkuuta 1919 Petaluma, Kalifornia, Yhdysvallat – 3. syyskuuta 2001 Great Barrington, Massachusetts, Yhdysvallat) oli yhdysvaltalainen elokuvakriitikko. Hän kirjoitti vuosina 1967–1991 kolumneja ja lyhyitä arvosteluja The New Yorker -lehdelle.
Oct 27, 2011 · Where would Pauline Kael be without Manny Farmer and the Olympian monarchist, Ayn Rand? The difference between Kael and Rand is that Kael wrote about what she loved and Rand wrote only about what she hated. I once wrote Pauline Kael a letter asking her to read a screenplay of mine, which I wrote as a graduate film student.
Pauline Kael: On art & trash, life & lice. Cannes 1977: Left to right: Dusty Cohl and Bill Marshall, co-founders of the Toronto Film Festival; Roger Ebert, publicist Linda Beath, Billy (Silver Dollar) Baxter, and Pauline Kael, who was on the jury. It's a notion that takes some growing used to, but Pauline Kael makes her case persuasively ...
Nov 3, 2011 · Pauline Kael was a film critic for The New Yorker from 1967 to 1991, as well as the author of several books, including I Lost It at the Movies and For Keeps: 30 Years at the Movies.. AP hide caption
