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William Hal Ashby (September 2, 1929 – December 27, 1988) was an American film director and editor. [2] [3] His work exemplified the countercultural attitude of the era. He directed wide ranging films featuring iconic performances.
Hal Ashby. Editor: In the Heat of the Night. Hal Ashby was born the fourth and youngest child in a Mormon household, in Ogden, Utah, to Eileen Ireta (Hetzler) and James Thomas Ashby, on September 2, 1929. His father was a dairy farmer.
Robert Towne, Oscar-winning Chinatown writer, dead at 89
Robert Towne, the Oscar-winning screenwriter of Chinatown, has died. He was 89. In a long and storied career, Towne also wrote the scripts for Hal Ashby ...
The Independent via Yahoo
10 minutes ago
Robert Towne, Oscar-Winning ‘Chinatown’ Screenwriter and Famed Script Doctor, Dies at 89
He was also nominated for his screenplays for "The Last Detail" and "Shampoo" The post Robert Towne, Oscar-Winning ‘Chinatown’ Screenwriter and Famed Script Doctor, Dies at 89 appeared first on TheWrap.
The Wrap via Yahoo
56 minutes ago
May 6, 2024 · Hal Ashby (born September 2, 1929, Ogden, Utah, U.S.—died December 27, 1988, Malibu, California) was an American filmmaker who was one of the preeminent directors of the 1970s. He was especially noted for such films as Harold and Maude (1971), Shampoo (1975), and Being There (1979).
Sep 6, 2018 · Ashby — who died at 59 in 1988 and whose films include “Being There” — remains another constant, a mainstay in a group that stormed the old studios in the late 1960s, changing...
Hal Ashby. Editor: In the Heat of the Night. Hal Ashby was born the fourth and youngest child in a Mormon household, in Ogden, Utah, to Eileen Ireta (Hetzler) and James Thomas Ashby, on September 2, 1929. His father was a dairy farmer.
Aug 25, 2023 · Let’s take a look back at all 12 of his films, ranked worst to best. Born on September 2, 1929 in Utah, Ashby ambled around before becoming an apprentice editor for Robert Swink, working for ...
William Hal Ashby (September 2, 1929 – December 27, 1988) was an American film director and editor. His work exemplified the countercultural attitude of the era. He directed wide ranging films featuring iconic performances.