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4 days ago · This restrictive status quo is currently being disrupted at moniquemeloche, where “Collage Culture” attempts to showcase the medium’s full possibilities. Mickalene Thomas, “Nus Exotiques #1,” 2022, color photograph, mixed media paper, and rhinestones on hot press paper mounted on dibond, 44 3/8″ x 44 3/4″ x 2 3/4″/Photo ...
19 hours ago · Jul 16 Thomas Demand: Weight and Ambivalence. Administrator. Issue 29, Interview. Portrait by Brigitte Lacombe, 2015. STEVE MILLER: I first encountered your work in your New York exhibitions in the late 1990’s. At that time Baudrillard’s Simulacra and Simulationswas an influential book and the lens through which I viewed your work.
5 days ago · In the show I had Mickalene Thomas, Derrick Adams, Zanele Muholi, Hassan Hajjaj — all these artists who I respect so much. (Hassan ended up being my first installation at the gallery, which was like this beautiful full circle moment.)
3 days ago · Mickalene Thomas and her upcoming solo exhibition Mickalene Thomas: All About Love at The Broad featured in a New York Times article written by Robin Pogrebin. The exhibition opens in Los Angeles on May 25 and will be on view through September 29.
1 day ago · “Mickalene Thomas: myblackisbeautiful” Where: Baldwin Gallery When: July 26 - September 2 Why It's Worth a Look: The details on Mickalene Thomas’s latest offering have been kept under wraps, but based on the multi-media artist’s recent exhibitions, a series of vibrant, mixed-media compositions is surely en route to Aspen this summer.
3 days ago · Even our Summer 2024 Quarterly features a self-portrait (of sorts), as Mickalene Thomas has long found the power of paint and collage as a means to examine self-hood in art history. The painter Jameson Green recently said to us about his self-portraits, "the closer I get to the core, or the meat of the soul of myself, the more truthful the art becomes."
5 days ago · “In Mickalene Thomas’s hands, collage becomes a way of thinking about love in a serious way,” explained The Broad curator Ed Schad. “As Thomas keeps the essence of individuals alive in her work – as the individuals are re-imagined and remade, configured from different moods and different circumstances over many years of trust and commitment – it is a love ethic she is after.”
