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John Francis Seitz, A.S.C. (June 23, 1892 – February 27, 1979) was an American cinematographer and inventor. [1] He was nominated for seven Academy Awards . Career. His Hollywood career began in 1909 as a lab assistant with the Essanay Film Manufacturing Company in Chicago.
Distinguished veteran cinematographer John F. Seitz had eighteen patents for various photographic processes to his name. These included illuminating devices, processes for making dissolves and the matte shot, which he perfected during filming of Rex Ingram's Trifling Women (1922).
Mar 11, 2021 · John F. Seitz, ASC liked to keep things simple. In a September 1950 article on Sunset Boulevard, AC editor Herb Lightman observed that Seitz believed “cinematography must exist to tell the screen story, rather than to stand out as a separate artistic entity.” Billy Wilder also liked things simple.
Distinguished veteran cinematographer John F. Seitz had eighteen patents for various photographic processes to his name. These included illuminating devices, processes for making dissolves and the matte shot, which he perfected during filming of Rex Ingram's Trifling Women (1922).
John Francis Seitz, A.S.C. (June 23, 1892 – February 27, 1979) was an American cinematographer and inventor. He was nominated for seven Academy Awards. Seitz's Hollywood career began in 1909 as a lab assistant with the Essanay Film Manufacturing Company in Chicago.
John F. Seitz Biography (1892-1979) Born June 23, 1892, in Chicago, IL; died, February 27, 1979, in Woodland, CA;brother of George B. Seitz (a director); married, Marie Boyle, 1934. Career: Cinematographer.
Apr 14, 2013 · John Francis Seitz of the American Society of Cinematographers, c. 1936. I’m going to start with John F. Seitz, ASC. Seitz is probably best known for the films noir he worked on with Billy Wilder, Sunset Blvd. and Double Indemnity, which I was admiring last Sunday as I watched
