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1 day ago · "Monterey Pop" documents the Monterey International Pop Festival of 1967. Directed by D.A. Pennebaker, the film captures the essence of the event that marked the beginning of the Summer of Love. It provides a detailed look at the diverse lineup of artists who performed throughout the three-day festival in Monterey, California.
1 day ago · There is no dearth of Dylan on film, especially in documentaries covering the same era, including D.A. Pennebaker’s Dont Look Back and Murray Lerner’s Festival, which includes footage of Dylan ...
3 days ago · Sayonara. Sayonara is a 1957 American romantic drama film directed by Joshua Logan, and starring Marlon Brando, Patricia Owens, James Garner, Martha Scott, Miyoshi Umeki, Red Buttons, Miiko Taka and Ricardo Montalbán. It tells the story of an American Air Force pilot during the Korean War who falls in love with a famous Japanese dancer.
1 day ago · Teahouse and Sayonara were the first in a string of films Brando would strive to make over the next decade which contained socially relevant messages, and he formed a partnership with Paramount to establish his own production company called Pennebaker, its declared purpose to develop films that contained "social value that would improve the world."
2 days ago · Sara met Bob in 1964 while she was a secretary for the film production division of Time Life, where she worked alongside filmmakers Richard Leacock and D. A. Pennebaker, according to Andy Gill and Kevin Odegard’s 2004 biography A Simple Twist of Fate: Bob Dylan and the Making of Blood on the Tracks.
2 days ago · Hutton made his directing debut in 1965 with Wild Seed, which was produced by the young Albert S. Ruddy (who would go onto produce The Godfather, and is played by Miles Teller in the mini-series documenting the making of that classic, The Offer), and was initially set up as a vehicle for Marlon Brando through his production company Pennebaker.
3 days ago · Return of the War Room, a 2008 documentary by Hegedus and Pennebaker in which advisers James Carville, George Stephanopoulos, Paul Begala, and others reflect on the effect that the Clinton war room had on the way campaigns are run; New pieces in which the filmmakers discuss the difficulties of shooting in the campaign’s fast-paced environment
