Yahoo Web Search

Search results

  1. 2 days ago · The second Singapore-associated film competing at this year's Venice Film Festival is Don't Cry Butterfly, produced by Singapore-based film and TV company Momo Film Co. Directed by Vietnamese filmmaker Duong Dieu Linh, Don't Cry Butterfly centres around a housewife who resorts to voodoo to win back her cheating husband.

  2. 6 days ago · IMDb rating: 9.3 Directed by: Frank Darabont Cast: Tim Robbins, Morgan Freeman, Bob Gunton Movie duration: 2 hours 22 minutes Synopsis: In this adaptation of Stephen King’s novella, Rita Hayworth and the Shawshank Redemption, a man Andy Dufrene (Robbins) is convicted of a double murder for which he is innocent and finds himself at the Shawshank State Penitentiary.

  3. 4 days ago · Napoleon Dynamite is a 2004 American independent coming-of-age teen comedy film produced by Jeremy Coon, Chris Wyatt, and Sean Covel, written by Jared and Jerusha Hess, and directed by Jared Hess.

  4. en.wikipedia.org › wiki › Judy_GarlandJudy Garland - Wikipedia

    1 day ago · One of Garland's most successful films for MGM was Meet Me in St. Louis (1944), in which she introduced three standards: "The Trolley Song", "The Boy Next Door" and "Have Yourself a Merry Little Christmas". This was one of the first films in her career that gave her the opportunity to be the attractive leading lady.

  5. 1 day ago · J. D. Salinger. Jerome David Salinger ( / ˈsælɪndʒər / SAL-in-jər; January 1, 1919 – January 27, 2010) was an American author best known for his 1951 novel The Catcher in the Rye. Salinger published several short stories in Story magazine in 1940, before serving in World War II. [1]

  6. 3 days ago · Practical Magic is a celebration of love. The love of sisterhood, familial love, romantic love, auntie love and all the things we will do to get it. In the marketplace it is love at first sight ...

  7. 1 day ago · A personal history and a lover’s yearning doubles as a critique of violent and exclusive histories. This article is based on a presentation in the Creative Interventions panel at the Power and Patriarchy conference in January 2022. It includes documentation from the artist’s practice-led research alongside critical reflection and commentary (.