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3 days ago · Alongside co-writer Miciana Alise, Tremblay began writing Fancy Dance in 2019 after spending two years documenting Missing and Murdered Indigenous Women (MMIW) survivor stories and creating public ...
4 days ago · The Credits interviewed Tremblay, who spoke about the importance of producing as an Indigenous filmmaker, and the joy of working with Lily Gladstone and Isabel DeRoy-Olson. You not only directed Fancy Dance and co-wrote it with Miciana Alise, you were also an active producer on the film. Yes.
4 days ago · Erica Tremblay’s film, which she co-wrote with Miciana Alise, is non-fussy, even sparse, and mostly contained to the Seneca-Cayuga reservation in Oklahoma.
1 day ago · The reality of their situation is grim. There may not be a lot of tenderness around them, but Jax and Roki’s relationship is filled with it, which is how Tremblay (with co-writer Miciana Alise) has made a movie that feels so alive but also human-scaled.
5 days ago · Amy Higdon: It helps because the script that Erica Tremblay and Miciana Alise wrote felt real, like everything was on the page. I’m Indigenous, from Oklahoma and a member of the Citizen Potawatomi Nation and as I was reading it, I felt like I knew people like Jax and Roki in my life.
2 days ago · Written and directed by Erica Tremblay (a member of the Seneca-Cayuga tribe herself), and co-written by Miciana Alise, the film does a solid job of showing the challenges Jax and others like her face in the world without making the story overly maudlin.
5 days ago · Tremblay and co-writer Miciana Alise look at all these issues deftly with a gentle eye and light hand. We experience these issues as the characters do. These aren’t facts and figures that need to be spelled out with force, but they are amplified with importance.
