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Veit Harlan (22 September 1899 – 13 April 1964) was a German film director and actor. Harlan reached the highpoint of his career as a director in the Nazi era; most notably his antisemitic film Jud Süß (1940) makes him controversial.
Veit Harlan war ein deutscher Schauspieler und Regisseur. Als Regisseur zur Zeit des Nationalsozialismus, besonders wegen der Propagandafilme Jud Süß und Kolberg, ist Harlan bis heute umstritten.
Veit Harlan was born on 22 September 1899 in Berlin, Germany. He was a director and actor, known for Die goldene Stadt (1942), Der große König (1942) and Jud Süß (1940). He was married to Kristina Söderbaum, Hilde Körber and Dora Gerson. He died on 13 April 1964 in Capri, Italy.
Veit Harlan (1899--1964) was one of Germany's most controversial and loathed directors. After studying with theatre and film pioneer Max Reinhardt and begi...
Veit Harlan was born on September 22, 1899 in Berlin, Germany. He was a director and actor, known for Die goldene Stadt (1942), Der große König (1942) and Jud Süß (1940). He was married to Kristina Söderbaum, Hilde Körber and Dora Gerson. He died on April 13, 1964 in Capri, Italy.
Mar 2, 2010 · In the history of the cinema, the German director Veit Harlan occupies an especially ignominious position. It is his name that is attached to “Jew Süss,” perhaps the most notoriously anti-Semitic...
Veit Harlan (22 September 1899 – 13 April 1964) was a German film director and actor. Harlan reached the highpoint of his career as a director in the Nazi era; most notably his antisemitic film Jud Süß (1940) makes him controversial.
BONN, April 13—Veit Harlan, the motion‐picture director who gained international notoriety with his anti‐Semitic film “Jud Süss,” died of cancer in a hospital on Capri today.
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Veit Harlan (1899–1964) was one of Germany's most controversial and loathed directors. After studying with theatre and film pioneer Max Reinhardt and beginning a promising career,...
Mar 15, 2016 · Veit Harlan has often been called “the male Leni Riefenstahl,” but he poses a much bigger challenge for the biographer because he directed a frighteningly effective anti-Semitic hate picture, Jud Süss (1940), for which he had to defend himself in two trials.
