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Jun 3, 2021 · 1h 12m. Find Tickets. When you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission. Simultaneously high stakes and low-key, “Slow Machine,” the...
- Kristen Yoonsoo Kim
- Joe Denardo, Paul Felten
Oct 18, 2020 · The Living Theatre: An Interview with Paul Felten and Joe DeNardo about their film Slow Machine. Michelle Carey. October 2020. Interviews. Issue 96. Slow Machine is at once elliptical and allusive. It opens up worlds of poetry, downtown theatre and music, yet holds within it a satisfyingly solid narrative. To a point.
- Michelle Carey
Aug 24, 2023 · The Relationship Between Theatre and Film, with Paul Felten. August 24, 2023 by Katie Birenboim Leave a Comment. This week on the podcast, I was so excited to dip my toe into the world of film with my guest, screenwriter and director ( Francophrenia (Or: Don’t Kill Me, I Know Where the Baby Is), Burn Country, and Slow Machine ), Paul Felten.
Slow Machine is an 2020 American thriller film, directed by Joe DeNardo and Paul Felten, from a screenplay by Felten. It stars Stephanie Hayes, Chloë Sevigny, Scott Shepherd, Eleanor Friedberger, Ean Sheeny and Emily Tremaine.
Jun 8, 2022 · Paul Felten: My memory is that we saw Céline and Julie Go Boating [1974] together at the Alliance Française [New York’s French Institute] in 2003. They were doing a Rivette retrospective with prints, so we went to see as many of his films as we could.
Dec 9, 2021 · Paul Felten is a screenwriter and filmmaker based in Brooklyn. A former director of the Olympia Film Festival, he is a Sundance Screenwriters Lab fellow and a recipient of the San Francisco Film Society’s Hearst Screenwriting Grant. He has also contributed writing on film to The Brooklyn Rail, 4columns.org, and Metrograph Journal.
The punk vitality that charges every frame of Slow Machine is a direct consequence of its DIY production model: the co-directors Paul Felten and Joe DeNardo, making their feature debut, are also the film’s scriptwriter and cinematographer, respectively; no money was paid for locations and the cast and crew, most of whom worked pro bono, was made...
