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  1. en.wikipedia.org › wiki › Darren_LemkeDarren Lemke - Wikipedia

    Darren Lemke (born 1969 or 1970) is an American screenwriter who has been active in the film industry since the late 1990s. His first major screenwriting credit was for Shrek Forever After (2010), which he wrote with Josh Klausner. Lemke directed the thriller film Lost (2004), which he also wrote.

  2. www.imdb.com › name › nm0501359Darren Lemke - IMDb

    Darren Lemke. Writer. Producer. Director. IMDbPro Starmeter See rank. Darren Lemke is known for Gemini Man (2019), Turbo (2013) and Shazam! (2019). More at IMDbPro. Contact info. Agent info. Resume. Add to list. Nominated for 1 BAFTA Award. 1 nomination total. Known for. Gemini Man. 5.7. Writer. 2019. Turbo. 6.4. Writer. 2013. Shazam! 7.0. Writer.

    • Writer, Producer, Director
    • Darren Lemke
  3. Oct 11, 2019 · 'Gemini Man' writer Darren Lemke talks about how he had nothing to do with the movie hitting theaters Friday, directed by Ang Lee and starring Will Smith. By Borys Kit. October 11, 2019...

  4. www.imdb.com › title › tt0406942Lost (2004) - IMDb

    Apr 2, 2007 · Lost: Directed by Darren Lemke. With Dean Cain, Ashley Scott, Danny Trejo, Irina Björklund. Jeremy Stanton (Cain), an ordinary man, makes an extraordinary mistake.

    • (1.9K)
    • Action, Adventure, Thriller
    • Darren Lemke
    • 2007-04-02
  5. Darren Lemke (born 1969/1970) is an American screenwriter who has been active in the film industry since the late 1990s. His first major screenwriting credit was for Shrek Forever After (2010), which he wrote with Josh Klausner. Lemke directed the thriller film Lost (2004), which he also wrote.

  6. Darren Lemke is an executive producer for Prime Video's television series The Wheel of Time. Lemke was also an executive producer for the 2015 short Winter Dragon, for which he wrote the teleplay. Lemke is mostly known for his work as a screenwriter for films including Gemini Man (2019), Shazam...

  7. In February 2024, Darren Lemke was revealed to have co-written the screenplay. Mitchell described Kung Fu Panda 4 as a love letter to the first film. Despite its connections to previous entries in the series, he wanted the story to stand on its own.