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  1. María Luisa Bemberg (April 14, 1922 – May 7, 1995) was an Argentine film writer, director and actress. She was one of the first Argentine female directors with a powerful presence both in the filmmaking and the intellectual world of Latin America, particularly during her most active period, from 1970 to 1990.

  2. Conoce la vida y obra de la cineasta argentina María Luisa Bemberg, una de las figuras más destacadas del cine iberoamericano. Explora su biografía, sus fotografías, su colección de arte, sus entrevistas y sus citas.

  3. María Luisa Bemberg (Buenos Aires, 14 de abril de 1922-Buenos Aires, 7 de mayo de 1995) fue una directora de cine y guionista argentina que se destacó como creadora de películas con temáticas referidas a la emancipación y reivindicación de la mujer. [1]

  4. Born in 1922 to one of Argentina's most prominent families, the filmmaker María Luisa Bemberg dedicated her career as a screenwriter and director to portraying women who seek to break free from the social constraints placed on them by class and patriarchy.

  5. María Luisa Bemberg was born on 14 April 1922 in Buenos Aires, Argentina. She was a writer and director, known for I Don't Want to Talk About It (1993), I, the Worst of All (1990) and Miss Mary (1986). She was married to Carlos Maria Miguens y Zumarán. She died on 7 May 1995 in Buenos Aires, Argentina.

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    • Buenos Aires, Argentina
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    • Buenos Aires, Argentina
  6. Oct 4, 2002 · Born in 1922, María Luisa Bemberg became, during the ’80s, one of the key figures in Argentine cinema – not only as the most important female director (the first openly feminist) but moreover as one of the few interesting filmmakers during the relatively ‘sterile’ period between the prolific generation of the ’60s (its ...

  7. Argentine filmmaker María Luisa Bemberg is an exception to many norms: She was a member of the Argentine oligarchy, by definition a minority group; she was one of the few successful women directors in Latin America; she made her first feature when she was a grandmother in her late fifties; and finally, of the handful of films she made, most enjo...