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Der Blaue Reiter (The Blue Rider) was a group of artists and a designation by Wassily Kandinsky and Franz Marc for their exhibition and publication activities, in which both artists acted as sole editors in the almanac of the same name (first published in mid-May 1912).
The choice of the semi-abstract "blue rider," with the color blue symbolizing intense spirituality and the rider symbolizing transcendent mobility, makes Kandinsky's print into a visual manifesto of his key concepts.
The Blue Rider (German: Der Blaue Reiter) is an oil painting executed in Bavaria in 1903 by the Russian emigré artist Wassily Kandinsky. It is now held in a private collection in Zürich, and shares its name with an almanac and the art movement he would co-found with Franz Marc in the early 1910s.
Der Blaue Reiter, organization of artists based in Germany that contributed greatly to the development of abstract art. Neither a movement nor a school with a definite program, Der Blaue Reiter was a loosely knit organization of artists that organized group shows between 1911 and 1914.
Using a visual vocabulary of abstract forms and prismatic colors, Blaue Reiter artists explored the spiritual values of art as a counter to [what they saw as] the corruption and materialism of their age. The name, meaning “blue rider,” refers to a key motif in Kandinsky’s work: the horse and rider.
The Blue Rider (Der Blaue Reiter) was an informal collective of modern expressionist artists who came together in Munich, Germany in 1911. Led by artists including Wassily Kandinsky , Gabriele Münter and Franz Marc, the group aimed to explore the emotional and spiritual dimensions of art, emphasising abstraction, symbolism and expressive mark ...
The Blue Rider. The Lenbachhaus has the world's largest collection of art of "Der Blaue Reiter" (The Blue Rider), one of the most important groups of avant-garde artists in the early twentieth century.
