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Marcel Moussy (7 May 1924 – 10 August 1995) was a French screenwriter and television director. Moussy was born in Algiers. He was co-nominated with François Truffaut for the Academy Award for Best Original Screenplay for the film The 400 Blows (1959). He died in Caen, aged 71. Selected filmography. The Verdict (1959) The 400 Blows ...
Marcel Moussy est un écrivain et cinéaste français né Marcel Paul Jean Moussy le 7 mai 1924 à Alger et mort le 10 août 1995 à Caen. Il est connu pour avoir adapté le film Les Quatre Cents Coups avec François Truffaut.
Marcel Moussy was born on 7 May 1924 in Algiers, Alger, France. He was a writer and director, known for The 400 Blows (1959), Christa (1971) and Saint-Tropez Blues (1961). He died on 10 August 1995 in Caen, Calvados, France.
Marcel Moussy was born on May 7, 1924 in Algiers, Alger, France. He was a writer and director, known for The 400 Blows (1959), Christa (1971) and Saint-Tropez Blues (1961). He died on August 10, 1995 in Caen, Calvados, France.
Marcel Moussy (Algiers, 1924 - Caen, August 11, 1995) was a French screenwriter and television director. He was co-nominated with François Truffaut for the Academy Award for Writing Original Screenplay for the film The 400 Blows (1959).
Oct 10, 2019 · To develop these anecdotal moments into a coherent whole Truffaut worked with the novelist and screenwriter Marcel Moussy.
Marcel Moussy is the author of History Begins at Sumer (4.17 avg rating, 875 ratings, 92 reviews, published 1956), The 400 Blows a film by Francois Truff...
The Mushroom Hunt. Marcel Moussy, translated by John P.C. Train. Issue 4, Winter 1953. THE mist was like cotton. Wrapped in it they gathered up the mushrooms: delicate, plump, velvet, born of a shower perhaps, or a miracle that drew from the earth these cowls, these shapes of mysterious life compounded of tiny whitened folds.
Apr 2, 2009 · In 1958, writing The 400 Blows with Marcel Moussy, I regretted not being able to bring in a thousand details from my adolescence connected with that period of the occupation, but the budget and the New Wave frame of mind were not compatible with the notion of a “period film.”
Saint-Tropez Blues was the first film directed by Marcel Moussy, who had recently fulfilled the commissions for which he is now most famous - co-scripting François Truffaut's first two features, Les 400 coups (1959) and Tirez sur le pianiste (1960).
