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  1. Special Effects - Photographic Effects by Jack Cosgrove; Sound Effects by Arthur Johns Writing (Screenplay) - Robert E. Sherwood, Joan Harrison

    • Academy Award for Special Effects 19411
    • Academy Award for Special Effects 19412
    • Academy Award for Special Effects 19413
    • Academy Award for Special Effects 19414
    • Academy Award for Special Effects 19415
  2. Special Effects - Photographic Effects by Roy Seawright; Sound Effects by Elmer Raguse

    • Academy Award for Special Effects 19411
    • Academy Award for Special Effects 19412
    • Academy Award for Special Effects 19413
    • Academy Award for Special Effects 19414
    • Academy Award for Special Effects 19415
  3. The 14th Academy Awards honored film achievements in 1941 and were held at the Biltmore Hotel in Los Angeles, California. The ceremony was briefly cancelled due to the Pearl Harbor attack on December 7, 1941.

  4. TORA! TORA! (1970) which deservedly won him, and Abbott, each an Academy Award for best special effects. On 1941 Flowers worked closely Logan Frazee, with whom he had partnered with on THE TOWERING INFERNO a few years before.

    • Nzpete
    • Academy Award for Special Effects 19411
    • Academy Award for Special Effects 19412
    • Academy Award for Special Effects 19413
    • Academy Award for Special Effects 19414
    • Academy Award for Special Effects 19415
  5. The 13th Academy Awards were held on February 27, 1941, to honor films released in 1940. This was the first year that sealed envelopes were used to keep the names of the winners secret. [1] The accounting firm of Price Waterhouse was hired to count the ballots, after voting results in 1939 were leaked by the Los Angeles Times. [2]

  6. The Academy Award for Best Special Effects (photographic and sound) was awarded to this film. There were 14 nominees for the honor, including Boom Town, Dr. Cyclops, Foreign Correspondent, The Invisible Man Returns, One Million B.C., Rebecca, The Sea Hawk, Typhoon, and Swiss Family Robinson.

  7. Who won the Academy Award and, with the benefit of hindsight, who should have. Best Special Effects, 1941 ...