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  1. en.wikipedia.org › wiki › Ted_HopeTed Hope - Wikipedia

    Ted Hope (born 1962) is an American independent film producer based in New York City. He is best known for co-founding the production/sales company Good Machine , where he produced the first films of such notable filmmakers as Ang Lee , Nicole Holofcener , Todd Field , Michel Gondry , Moisés Kaufman , and Shari Springer Berman and ...

  2. www.imdb.com › name › nm0394046Ted Hope - IMDb

    He's a producer of over 70 films, studio executive on over 60, CEO of a start-up streamer, co-head of 3 production companies, executive director of a film society & festival, a Professor Of Practice at 2 universities, and founder of a post-production facility, 2 websites, 2 think tanks, & an app.

    • January 1, 1
    • Ted Hope
  3. Ted Hope, who oversaw prestige films like "Manchester by the Sea" and "The Big Sick" at Amazon Studios, is transitioning to a first-look producing deal with the streamer. He will consult on upcoming releases and produce select projects on the development slate.

  4. Amazon Studios motion picture executive Ted Hope is stepping down from his role under chief Jennifer Salke, Variety has learned. The official word from within Amazon is that Hope left by...

  5. View Ted Hopes profile on LinkedIn, a professional community of 1 billion members. Filmworker -- that’s how Ted describes himself. He’s a producer of over 70 films, studio…

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    • New York University, Tisch School Of The Arts
    • Filmworker
  6. Ted Hope. @tedhope. 7 links. A producer on over 70 films, studio exec on over 60, Ted launched Amazon’s foray into feature film production. His memoir/handbook "HopeForFilm" is available for your reading pleasure. 8K+ subscribers. Subscribe. Cinema can be glorious; prioritizing the artists is how and non-dependence, crucial. Posts. Notes. Likes.

  7. Nov 15, 2023 · Ted Hope, a producer of over 70 films including "Happiness" and "Cassandro", shares his insights on the challenges and opportunities of independent filmmaking at IDFA. He discusses the differences between fiction and documentary, the role of technology and representation, and his optimism for a new wave of expression.