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  1. Kostas Hatzichristos or Costas Hajihristos (Greek: Κώστας Χατζηχρήστος; 1921 – October 3, 2001) was a Greek actor.

  2. Ο Κώστας Χατζηχρήστος ( Θεσσαλονίκη, 1921 [1] [2] - Αθήνα, 3 Οκτωβρίου 2001) ήταν Έλληνας ηθοποιός από τους σημαντικότερους κωμικούς του παλιού ελληνικού κινηματογράφου. [3] Βιογραφικό. Ήταν γόνος πολύτεκνης οικογένειας, η οποία εγκαταστάθηκε στο Παγκράτι. [4]

    Έτος
    Τίτλος
    1941
    Νύχτα χωρίς ξημέρωμα
    1952
    1954
    Τρεις δραπέτες του
    1954
    Νύχτες της Αθήνας
  3. Oct 3, 2020 · Kostas Hatzichristos was one of the most renowned comedic, theatrical performers, having a successful career in the film industry spanning over 60 years. Hatzichristos was born on January 1st 1921 in Thessaloniki Greece to a large family.

  4. Kostas Hatzihristos was born in 1921 in Salonica, Greece. He was an actor and director, known for Thimios in the Land of Striptease (1963), Who Will Pay for the Marble? (1956) and World Gone Mad (1963). He was married to Ketty Diridaoua and Eleni Pantazi. He died on 3 October 2001 in Athens, Greece.

    • January 1, 1
    • Salonica, Greece
    • January 1, 1
    • Athens, Greece
  5. World Gone Mad: Directed by Dinos Katsouridis. With Kostas Hatzihristos, Nikos Rizos, Kostas Doukas, Marika Nezer. A well-off grocery store owner and his outspoken right hand, who are head over heels in love with their neighbours, are about to have their ambitious plans crushed when the girls' true sweethearts put in an appearance at a joyous ...

    • (2.5K)
    • Comedy, Romance
    • Dinos Katsouridis
    • 1963-06-18
  6. Kostas Karavedouras is the conductor of the municipal orchestra in a small town in the country, when he decides to leave for Athens to become a great classic music performer. He is staying temporarily at his cousin’s place and he spends all his spare money with his landlady’s daughter.

  7. Κώστας Χατζηχρήστος (1921 – 2001) Δημοφιλής κωμικός ηθοποιός, ο πιο αγαπητός και διάσημος «βλάχος» του ελληνικού θεάτρου και κινηματογράφου. Το όνομά του συνδέθηκε με τη χρυσή εποχή της επιθεώρησης και του εμπορικού κινηματογράφου. Οι ατάκες του «Τίποτας», «Ασουπή», «Αμ’ πώς;», «Τ' άκοσες πολί μου», άφησαν εποχή.