2021
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Akiya Henry is a British actress. She is best known for her theatre work, winning a WhatsOnStage Award and earning a Laurence Olivier Award nomination.
May 1, 2018 · Leading lady, Akiya Henry, on stepping into the role of Lady Macbeth and embracing her own identity in Kit Monkman’s visually stunning film Macbeth. Part one in a series of interviews by Angelique Jones.
Akiya Henry is an experienced stage and screen actor. Her stage credits include Macbeth (Almeida Theatre), Twelfth Night (Shakespeare’s Globe), Medea (The Old Vic), Much Ado About Nothing/Shakespeare in a Suitcase (RSC), Love’s Labour’s Lost (Royal National Theatre), Mad House (Ambassador’s Theatre), and The Little Matchgirl ...
Akiya Henry. For the National: Phaedra. Theatre. Productions include: Much Ado About Nothing and Henry V for the RSC; The Tragedy of Macbeth at the Almeida; Dirty Crusty at The Yard; The Dark and Ten Women at Ovalhouse; Medea and A Midsummer Night’s Dream at Bristol Old Vic; The Little Matchgirl, Twelfth Night, Under the Black Flag and ...
Akiya Henry is known for Bing (2014).
Mar 12, 2022 · Akiya Henry is every bit as sharp and funny as Beatrice, the role she currently inhabits for the RSC’s Much Ado About Nothing. She tells Gill Sutherland about the production and her joy-filled upbringing.
Mar 1, 2022 · Akiya Henry is an English actress and voice actress. Best known for her work on Captain Mack, Bing, Macbeth, Thomas & Friends: Big World! Big Adventures! The Movie, Shaun the Sheep: Adventures from Mossy Bottom, Moominvalley, Hilda, and The Rubbish World of Dave Spud.
Apr 24, 2019 · Akiya Henry Interview Moominvalley PremiereSubscribe to Red Carpet News: http://bit.ly/1s3BQ54Red Carpet News TV talks to VIP guests at the BFI Radio Times T...
Akiya Henry. Akiya Henry has previously acted in the Bristol Old Vic production Swallows and Amazons, for which she appeared in West End and on a national tour.
May 8, 2018 · Akiya Henry shares her experiences working with Director Kit Monkman, the freedom of acting in front of a green-screen and why Macbeth simply represents “filmmaking at its best.” Part two in a series of interviews by Angelique Jones.
