Prince Siegfried
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Swan Lake (Russian: Лебеди́ное о́зеро, romanized:Lebedínoje ózero, IPA: [lʲɪbʲɪˈdʲinəjə ˈozʲɪrə] listen ⓘ ), Op. 20, is a ballet composed by Russian composer Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular of all ballets. [1]
The Swan Lake is a major attraction in the Singapore Botanic Gardens. It was formerly also known as the Main Lake or the First Lake. It was constructed in 1866, shortly after the Gardens formation. It is considered to be the oldest ornamental water-feature in Singapore.
Swan Lake (Ballet Suite), Op. 20: I. Scene (Swan Theme)London Philharmonic Orchestra / Yuri Simonov.
Nov 3, 2020 · The Russian composer was the 19th century’s true master of dance music. Today, Nutcracker, The Sleeping Beauty and Swan Lake remain sure-fire hits for ballet companies around the world. It’s remarkable, then, that when Swan Lake was premiered in 1877, the reception it garnered was lukewarm at best.
It is the compelling legend of a tragic romance in which a princess, Odette, is turned into a swan by an evil curse. Prince Siegfried chances upon a flock of...
1 - 00:00 - Op. 20: Introduction2 - 02:30 - Op. 20, Act I, No. 1: No. 1: Scene. Allegro giusto3 - 05:39 - Op. 20, Act I, No. 4: a. Entrée4 - 12:22 - Op. 20, ...
Mar 4, 2024 · Read our guide to Tchaikovsky’s romantic masterpiece ‘Swan Lake’ – one of the greatest and most popular classical ballets.
Swan Lake (Лебединое озеро), Op. 20 ( TH 12 ; ČW 12), was the first of Tchaikovsky's ballet scores, composed between August 1875 and April 1876, with additions and revisions in February and April 1877.
Jun 28, 2024 · Story. Swan Lake. Prince Siegfried chances upon a flock of swans while out hunting. When one of the swans turns into a beautiful woman, Odette, he is enraptured. But she is under a spell that holds her captive, allowing her to regain her human form only at night.
Jun 20, 2024 · A fairytale ballet set to Tchaikovsky’s scintillating score, Swan Lake was created in 1877 for the Bolshoi Theatre in Moscow and later restaged by Marius Petipa and Lev Ivanov. Almost a hundred years later, Rudolf Nureyev brought his own interpretation of the ballet to the Paris Opera in 1984.
