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  1. The Mirror (Persian: آینه Ayneh) is a 1997 Iranian film directed by Jafar Panahi, about a little girl trying to find her way home from school.

  2. Nov 25, 1998 · Original title: Ayneh. 1997. 1h 35m. IMDb RATING. 7.5 /10. 3.2K. YOUR RATING. Rate. Drama. When a young girl becomes lost in the hustle and bustle of Tehran, her journey turns into a dazzling exercise on the nature of film itself. Director. Jafar Panahi. Writer. Jafar Panahi. Stars. Mina Mohammad Khani. Kazem Mojdehi. Naser Omuni.

    • (3.2K)
    • Drama
    • Jafar Panahi
    • 1998-11-25
  3. Sep 8, 2016 · These opening scenes in Jafar Panahi’s powerful film “The Mirror” are so realistic that the movie has the feel of a documentary made with a hidden camera. The teeming streets and intimate conversations convey a remarkably intense picture of a particular city’s mood and texture at a specific moment.

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  4. Directed by Jafar Panahi. When a young girl’s mother doesn’t meet her after school, she tries to navigate the streets of Tehran by herself. Remove Ads. Cast. Crew. Details. Genres. Releases. Mina Mohammad Khani Kazem Mojdehi Naser Omuni M. Shirzad T. Samadpour. 95 mins More at IMDb TMDb. Sign in to log, rate or review. Share. Ratings. 49 fans 4.0.

    • (4.5K)
    • Rooz Film
    • Jafar Panahi
  5. Year: 1997. Original title: Ayneh. Synopsis: When a young girl becomes lost in the hustle and bustle of Tehran, her journey turns into a dazzling exercise on the nature of film itself.You can watch The Mirror through flatrate on the platforms: Criterion Channel.

    • (832)
    • Farzad Jadat
    • 1997: Locarno Film Festival: Golden Leopard
    • Iran
  6. Directed by Jafar Panahi • 1997 • Iran. Starring Mina Mohammad Khani, Aida Mohammadkhani, Kazem Mojdehi. Iranian master Jafar Panahi explores the interplay of imagination and reality in this slyly inventive meta-film marvel.

  7. A child’s-eye adventure in the vein of his classic The White Balloon, Jafar Panahi’s meta film playfully unravels its own neorealist premise. Endearingly delightful to follow, the journey of a little girl through Tehran’s sea of people and traffic is subtly grounded in its sociopolitical realities.