Dennis O'Brien/Vannie Harrigan
Search results
T-Men is a 1947 semidocumentary and police procedural style film noir about United States Treasury agents. The film was directed by Anthony Mann and shot by noted noir cameraman John Alton. The production features Dennis O'Keefe, Mary Meade, Alfred Ryder, Wallace Ford, June Lockhart and Charles McGraw.
T-Men: Directed by Anthony Mann. With Dennis O'Keefe, Mary Meade, Alfred Ryder, Wallace Ford. Two US Treasury agents hunt a successful counterfeiting ring.
ClassicFlix. 5.19K subscribers. Subscribed. 102. 13K views 6 years ago. T-Men has undergone a major restoration and was released on Blu-ray (first time) & DVD in a special edition on October...
Two U.S. Treasury ("T-men") agents go undercover in Detroit, and then Los Angeles, in an attempt to break a U.S. currency counterfeiting ring.
Rent T-Men on Prime Video, or buy it on Prime Video. Two U.S. Treasury agents (Dennis O'Keefe, Alfred Ryder) pose as mobsters to bust a counterfeiting ring.
- (10)
- Crime, Drama
T-Men (1947) -- (Movie Clip) Not Losing Your Nerve? Now in L.A. tracking "Schemer" (Wallace Ford), undercover Treasury man O'Brien (Dennis O'Keefe) discerns that night club photo-girl Evangeline (Mary Meade) is with the counterfeit gang, causing her to run to mastermind Paul (William Malten), in Anthony Mann's T-Men, 1947.
T-Men was an abbreviated term for tough-guy "feds" -- US Treasury Department federal agents who often went undercover to apprehend the rotten cores of counterfeiting rings, bootlegging and smuggling operations.
Director Anthony Mann and cinematographer John Alton collaborated on T-Men, a near perfect representation of the “look” of film noir, the camera floating through baroque compositions of shadows and light shaped by industrial confines like warehouses, boats, dark alleys, fire escapes, and city streets.
Home. T-Men (1947) Approved | Crime, Film-Noir, Thriller. Official Trailer. Two US Treasury agents hunt a successful counterfeiting ring.
A major box office success upon its release, T-Men holds a special place in film noir canon not only as director Anthony Mann's breakout film, but as the initial pairing of the filmmaker and cinematographer John Alton.
