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  1. en.wikipedia.org › wiki › Tremors_(2019_film)Tremors (2019 film) - Wikipedia

    Tremors (Spanish: Temblores) is a 2019 Guatemalan-French drama film written and directed by Jayro Bustamante. It stars Juan Pablo Olyslager as Pablo, a religious man in conversion therapy who is coping with the aftermath of having come out as gay after having spent many years married to a woman and fathering children.

  2. www.imdb.com › title › tt7128732Tremors (2019) - IMDb

    Nov 29, 2019 · Tremors: Directed by Jayro Bustamante. With Juan Pablo Olyslager, Diane Bathen, Mauricio Armas Zebadúa, Rui Frati. The coming out of an evangelical father shatters his family, his community and uncovers a profoundly repressive society.

  3. www.rottentomatoes.com › m › tremors_2019Tremors (2019) | Rotten Tomatoes

    Nov 28, 2019 Full Review Carlos Aguilar TheWrap A prodigiously gut-wrenching demand for change; the film isn't kindly asking for tolerance but bluntly exposing the torment inflicted in the name...

    • (20)
    • Drama

  4. www.youtube.com › watchTREMORS trailer | BFI London Film Festival 2019 - YouTube

    Sep 17, 2019 · TREMORS trailer | BFI London Film Festival 2019. Get your tickets now: https://whatson.bfi.org.uk/lff/Online... Award-winning director Jayro Bustamante (whose La Llorona also features in the...

  5. www.rottentomatoes.com › m › tremorsTremors | Rotten Tomatoes

    Repairmen Val McKee (Kevin Bacon) and Earl Bassett (Fred Ward) are tired of their dull lives in the small desert town of Perfection, Nev.

    • (51)
    • Horror, Comedy
    • PG-13

  6. www.hollywoodreporter.com › movies › movie-reviews‘Tremors’ (‘Temblores’): Film Review | Berlinale 2019

    Feb 8, 2019 · Juan Pablo Olyslager stars in Guatemalan writer-director Jayro Bustamante's sophomore feature 'Tremors,' which premiered in the Panorama section of the German festival.

  7. variety.com › 2019 › filmFilm Review: ‘Tremors’ - Variety

    Feb 15, 2019 · It’s here that “Tremors,” already chilling in its portrayal of marshaled family malice, escalates into a kind of domestic horror movie, with the church as its all-consuming bogeyman.