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‘Dead Talents Society’ Leads Race For Taiwan’s Golden Horse Awards With 11 Nominations
John Hsu’s horror comedy Dead Talents Society heads the race for this year’s Golden Horse Awards with 11 nominations, including Best Narrative Feature, Best Director, Best Original Screenplay ...
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2 days ago
‘Karst’, ‘The Sparrow In The Chimney’ Win Top Awards At Pingyao International Film Festival
Yang Suiyi’s Karst won best film in the Fei Mu Awards for up-and-coming Chinese filmmakers at this year’s Pingyao International Film Festival, while Swiss director Ramon Zurcher’s The Sparrow ...
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5 days ago
Liu Ye (Chinese: 刘烨; pinyin: Líu Yè, born 23 March 1978) is a Chinese actor. He made his feature film debut in Postmen in the Mountains (1999), [1] and later on won recognition through critically acclaimed film Lan Yu (2001), which earned him the Best Actor award at the Golden Horse Awards.
Liu Ye is a contemporary Chinese painter best known for his colorful, stylized images. Inspired by Western abstract artists such as Piet Mondrian and Paul Klee, he often depicts young children standing before paintings and the Dutch cartoon character Miffy.
Liu Ye (simplified Chinese: 刘野; traditional Chinese: 劉野; pinyin: Liú Yě; born in 1964) is a Beijing-based contemporary Chinese painter known for his bright-hued paintings of childlike female figures, his favorite cartoon character Miffy the bunny and works inspired by Piet Mondrian. [1]
Ye Liu. Actor: Curse of the Golden Flower. Liu Ye's acting talents were apparent right from his first movie, Postman in the Mountains, for which he was nominated for Best Supporting Actor at China's 1999 Golden Rooster Awards.
Liu Ye (b. 1964) is a contemporary Chinese painter high on the list of many serious collectors all around the world. As one of China’s most acclaimed artists, his works are representative for a generation of artists that grew up during the Cultural Revolution.
Liu Ye’s style is unique among his contemporaries, as he does not adhere to a specific school of contemporary Chinese painting. His work bathes in the cynicism of the first generation while using a cartoon-ish facade to cloak the severity of his criticism.
In his deeply meditative paintings, Beijing-born painter Liu Ye (b. 1964) investigates the intersections of history and representation through a distinct vocabulary that transcends time and place, evoking conceptual and emotional registers of meaning.