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  1. en.wikipedia.org › wiki › Janis_IanJanis Ian - Wikipedia

    Janis Ian (born Janis Eddy Fink; April 7, 1951) is an American singer-songwriter who was most commercially successful in the 1960s and 1970s.

  2. Aug 25, 2007 · Janis Ian - At Seventeen (Live, 1976)

  3. In honor of The Janis Ian Archives opening in 2024, Berea College and Janis are putting on a weekend-long event (October 17-20, 2024) that mirrors the archive tour experience; bringing in musical artists and famous friends to create a once-in-a-lifetime event.

  4. Mar 9, 2022 · Janis Ian performs live for a World Cafe At Home Session with host, Raina Douris. Recorded in Nashville, TN in February 2022. Set List: I'm Still Standing; At 17; Better Times; Resist. ...more...

  5. May 13, 2024 · Janis Ian is an American singer, songwriter, and musician who wrote multiple popular soft rock songs in the late 1960s and ’70s, most notably ‘Society’s Child (Baby I’ve Been Thinking)’ (1966).

  6. Jan 17, 2022 · On a recent morning, Janis Ian spoke expansively from her work space in Florida about a 50-year career marked by literary lyrics, social activism and major hits. Just one...

  7. Jan 15, 2020 · Janis Ian's willingness to confront the beauty myth and her own struggles with it — Ian was never a convention glamour girl, at all.

  8. Mar 8, 2022 · It's called The Light At the End of the Line and with it, she ties the bow on a long, prolific career as a singer-songwriter that began when she was just 14 years old. Janis Ian is a...

  9. In the mid-60s, Janis Ian, a tiny teenage Jewish singer-songwriter from New Jersey scores a hit ("Society's Child," 1966) about an interracial relationship. The song launches her illustrious career but also ignites controversy, and she plunges into an emotional tailspin–only to emerge from the ashes with an even bigger hit ("At Seventeen ...

  10. This is the eponymous debut long-player from Janis Ian, who had already written and recorded this disc of completely original material at the tender age of 15. Her brutal honesty and in-your-face ethos were at least three decades too early for the mid-’60s American mainstream pop consumer.