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Ken Kwek (born 7 May 1979) is a Singaporean screenwriter, director, playwright and author. His short film compendium, Sex.Violence.FamilyValues, was banned by the Singapore and Malaysian governments in 2012.
Ken Kwek is an award-winning Singaporean screenwriter and film director, based in the United States.
Oct 17, 2022 · SINGAPORE - A film by local film-maker Ken Kwek that premiered in New York in July has been barred from being screened in Singapore, with the authorities assessing it as having the...
Apr 27, 2019 · Creative Capital: Ken Kwek, the introverted auteur who finds his voice in films and plays. Ken Kwek enjoys the solitude of writing but also finds directing a high second only to sex. Ken Kwek...
KEN KWEK is a screenwriter and director from Singapore. His feature screenplays include Trafficker, It’s A Great Great World and The Blue Mansion. As a director, Ken’s credits include the short film anthology Sex.Violence.FamilyValues, and the music videos Riot City and You Can’t Touch Me Now, with Singapore funk rock band Ugly In The ...
Oct 17, 2022 · Kwek is an author, filmmaker and playwright as well as the writer and director of Connections, a film that was interwoven with a live performance at this year's...
Aug 6, 2022 · Explore Ken Kwek's newest cinematic masterpiece, "#LookAtMe", a thought-provoking drama delving deep into LGBTQ acceptance, free expression, and human rights.
Ken Kwek is an award-winning screenwriter, director and playwright from Singapore. His anthology of short films “Sex. Violence. Family Values” (2013) was banned in Singapore but won awards internationally. His feature debut “Unlucky Plaza” (2014) premiered at the Toronto International Film Festival.
#LookAtMe is a 2022 Singaporean film directed by Ken Kwek. It was premiered at 2022 New York Asian Film Festival. The film was inspired by Amos Yee's 2015 vlogs that criticised Lee Kuan Yew and Christianity, and other real life events.
Oct 18, 2022 · SINGAPORE (The Straits Times/Asia News Network): A film by local film-maker Ken Kwek that premiered in New York in July has been barred from being screened in Singapore, with the authorities assessing it as having the potential to cause enmity and social division.
