Yahoo Web Search

Search results

  1. Creative inspiration. Personal life. Filmography. Short film. Feature film. Television. Music videos. Awards and nominations. Exhibitions. References. External links. Darius Khondji AFC, ASC ( Persian: داریوش خنجی; born 21 October 1955) is an Iranian-French cinematographer.

  2. Darius Khondji. Cinematographer: Amour. Darius Khondji was born on 21 October 1955 in Tehran, Iran. He is a cinematographer and actor, known for Amour (2012), Se7en (1995) and Delicatessen (1991). He is married to Marianne Khondji. They have three children.

    • January 1, 1
    • 1.91 m
    • Tehran, Iran
    • Darius Khondji
  3. Darius Khondji (en persan : داریوش خنجی ), né le 21 octobre 1955 à Téhéran en Iran, est un directeur de la photographie franco - iranien.

    • 21 octobre 1955 (68 ans)Téhéran, Iran
    • Darius Khondji
    • FrançaiseIranienne
    • Directeur de la photographie
  4. Principal photography began on March 3, 2021, in Mexico City, with Darius Khondji as cinematographer and Eugenio Caballero as production designer, under the working title Limbo. Khondji paired the large format Alexa 65 camera with Panavision Sphero lenses, shooting almost the entirety of the film on the 17mm and the 21mm. [8]

  5. Jul 13, 2012 · The Iranian-French cinematographer Darius Khondji, above, who says he feels more like an Italian. Ed Alcock for The New York Times. By Elaine Sciolino. July 13, 2012. PARIS. AS the...

  6. Summarize this article for a 10 year old. SHOW ALL QUESTIONS. Darius Khondji AFC, ASC ( Persian: داریوش خنجی; born 21 October 1955) is an Iranian-French cinematographer. Khondji has worked with a number of high-profile directors, including David Fincher, Woody Allen, Jean-Pierre Jeunet, Gus Van Sant, Roman Polanski, Wong Kar-wai ...

  7. They somehow feel more present,” said Khondji. “The way it captures life is unique. To me, it’s the only camera that brings me the pleasure of film.” One exception to Khondji’s preference for the Alexa 65 came during the opening scene, purely for pragmatic reasons. Bardo begins with a point-of-view shot of Silverio dreaming of the desert.