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Fruit Chan Gor (Chinese: 陳果; born 15 April 1959) is a Hong Kong filmmaker who is best known for his style of film reflecting the everyday life of Hong Kong people. He is well known for using amateur actors (such as Sam Lee in Made in Hong Kong, Wong Yau-Nam in Hollywood Hong Kong) in his films.
Profile. Name: Fruit Chan. Chinese: 陈果. Birthdate: April 15, 1959. Birthplace: Hong Kong. Actor. Hot Summer Days | Chuen sing yit luen - yit lat lat (2010) - ice cream vendor. Run Papa Run | Yat kor ho ba ba (2008) - Priest. Simply Actors | Hei wong ji wong (2007) My Name Is Fame | Ngor yiu sing ming (2006) Naked Ambition | Ho ching (2003)
Ask writer, director, producer and sometimes actor Fruit Chan how he feels about being the godfather of Hong Kong independent cinema and a role model for budding filmmakers, and his eyebrows shoot way, way up.
Fruit Chan was born on 15 April 1959 in Guangdong, China. He is an actor and director, known for The Midnight After (2014), Made in Hong Kong (1997) and Three Husbands (2018).
Fruit Chan Gor (born April 15, 1959 in Guangdong, China, is an independent Hong Kong Second Wave screenwriter, filmmaker and producer, who is best known for his style of film reflecting the everyday life of Hong Kong people.
Feb 5, 2024 · 5 Feb – The 48th Hong Kong International Film Festival (HKIFF48) will celebrate Fruit Chan as this year's Filmmaker-in-Focus. Chan, a pioneer of Hong Kong's independent cinema, has established...
Feb 2, 2024 · Fruit Chan is the star of the HKIFF, Vividthree strikes share swap deal, OAFF completes its lineup, Majestic Cinemas in voluntary administration.
Three Husbands (Chinese: 三夫) is a 2018 Hong Kong film directed by Fruit Chan, starring Zeng Meihuizi and Peter Chan. It is the last instalment of his "Prostitute trilogy" which Chan directed from 2000 to 2018.
Fruit Chan was born on April 15, 1959 in Guangdong, China. He is an actor and director, known for The Midnight After (2014), Three Husbands (2018) and Made in Hong Kong (1997).
Fruit Chan’s groundbreaking 1997 film was shot on leftover film stock with a minuscule budget and crew. It won awards in Hong Kong and internationally. It was not released in North America, but is due to open in 15 cities across the US, after an extended run at New York’s Metrograph cinema.
